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Joshua McKinney's fourth collection, Small Sillion, enacts a lyric struggle to perceive the numinous in a world marked by violence. The term sillion, as used by Hopkins in his famous poem, "The Windhover," refers to a furrow turned over by a plough. For McKinney it is both prelude to fertility, and wound, a scarring of the land. Maintaining a tension between the visionary and the mundane, between joy and despair, these poems posit a border between language and the living world; they constitute a personal eco-poetics of skepticism, one that respects language's utility and radiance, while…mehr
Joshua McKinney's fourth collection, Small Sillion, enacts a lyric struggle to perceive the numinous in a world marked by violence. The term sillion, as used by Hopkins in his famous poem, "The Windhover," refers to a furrow turned over by a plough. For McKinney it is both prelude to fertility, and wound, a scarring of the land. Maintaining a tension between the visionary and the mundane, between joy and despair, these poems posit a border between language and the living world; they constitute a personal eco-poetics of skepticism, one that respects language's utility and radiance, while acknowledging that the world's complexity lies beyond the grasp of language
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Autorenporträt
Joshua McKinney is the author of three previous books of poetry: Mad Cursive (Wordcraft of Oregon, 2012), The Novice Mourner (Bear Star Press, 2005), and Saunter (University of Georgia, 2002). He is a recipient of the Dorothy Brunsman Poetry Prize, the Dickinson Prize, the Pavement Saw Chapbook Prize, and a Gertrude Stein Award for Innovative Writing. He is coeditor of the online ecopoetry zine, Clade Song, and teaches at California State University Sacramento.
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