77,95 €
77,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
39 °P sammeln
77,95 €
77,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
39 °P sammeln
Als Download kaufen
77,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
39 °P sammeln
Jetzt verschenken
77,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
39 °P sammeln
  • Format: ePub

Throughout the history of popular music, the careers of many culturally significant artists and groups began on the small stages of local bars clubs, pubs, and discotheques. When the stories of The Beatles, Jimi Hendrix, and the New York punk hardcore and post punk scenes are told, iconic venues such as The Cavern, The Marquee and CBGB's serve as the settings of their early chapters Small live music venues such as these are pivotal in the narratives and history of popular music. However, very few of them survive.
This book focusses on the role of small live music venues as incubators for
…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 2.01MB
Produktbeschreibung
Throughout the history of popular music, the careers of many culturally significant artists and groups began on the small stages of local bars clubs, pubs, and discotheques. When the stories of The Beatles, Jimi Hendrix, and the New York punk hardcore and post punk scenes are told, iconic venues such as The Cavern, The Marquee and CBGB's serve as the settings of their early chapters Small live music venues such as these are pivotal in the narratives and history of popular music. However, very few of them survive.

This book focusses on the role of small live music venues as incubators for emerging talent and social hubs for music scene participants. Such venues are grassroots spaces of cultural labor and production that often struggle with issues of financial precarity yet are fundamental to the live music ecology of a city, acting both as platforms for emergent performers and spaces of sociality for local music scenes.
Autorenporträt
Sam Whiting is a Vice-Chancellor's Senior Research Fellow at RMIT University, Melbourne. His research is primarily focused on issues of capital, labour, and value as they relate to music scenes, the creative industries, and the cultural economy more broadly. Dr. Whiting's published work explores issues of access, identity, gender, heritage, live music, cultural policy, and music scenes through the interdisciplinary lens of cultural studies, sociology, and popular music studies.