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  • Format: ePub

It is my purpose to speak of the craft to which I have devoted the best years of my life, the craft of portraying, by means of little pen-and-ink strokes, lines, and scratches, a small portion of the world in which we live; such social and domestic incidents as lend themselves to humorous or satirical treatment; the illustrated criticism of life, of the life of our time and country, in its lighter aspects. The fact that I have spent so many years in the practice of this craft does not of itself, I am well aware, entitle me to lay down the law about it; the mere exercise of an art so patent to…mehr

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Produktbeschreibung
It is my purpose to speak of the craft to which I have devoted the best years of my life, the craft of portraying, by means of little pen-and-ink strokes, lines, and scratches, a small portion of the world in which we live; such social and domestic incidents as lend themselves to humorous or satirical treatment; the illustrated criticism of life, of the life of our time and country, in its lighter aspects. The fact that I have spent so many years in the practice of this craft does not of itself, I am well aware, entitle me to lay down the law about it; the mere exercise of an art so patent to all, so easily understanded of the people, does not give one any special insight into its simple mysteries, beyond a certain perception and appreciation of the technical means by which it is produced-unless one is gifted with the critical faculty, a gift apart, to the possession of which I make no claim.

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Autorenporträt
George Du Maurier, born George Louis Palmella Busson du Maurier on March 6, 1834, was a French-born British cartoonist and author known for his satirical illustrations in magazines such as Punch. Du Maurier moved to England during his childhood and eventually studied at the Royal Academy. His graphic artistry garnered attention, leading to his contributions to the satirical magazine Punch, where he gained fame for his social and political commentary through visual art. His body of work, which includes the notable 'Social Pictorial Satire', reveals his adeptness at examining and critiquing societal norms and behaviors with wit and insight. Although this specific title is less well-known today, it is indicative of his sharp eye for the mores and follies of Victorian society. Beyond his success as an illustrator, Du Maurier also achieved literary acclaim with his novels, most famously 'Trilby' (1894), which introduced the character Svengali and spawned a cultural phenomenon. His literary style is marked by a blending of humor with a keen observation of human character and social dynamics. His works often underscore the intersection of the visual and the written word, a characteristic also evident in his novels Peter Ibbetson and The Martian. He passed away on October 8, 1896, leaving behind a legacy of artistic influence that bridged both visual and narrative art forms.