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  • Format: ePub

You took relationships as if they were the next train.
Alex and Colin's stories flow like mist down the Thames, roll under Hammersmith Bridge, and slip past the windows of forgotten Soho restaurants. As the old men's youth comes to life, two young men watch on - and nobody knows they are falling in love.
The world premiere of this captivating and romantic portrait of London was co-directed by the author at the Jermyn Street Theatre, London, in October 2022.

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Produktbeschreibung
You took relationships as if they were the next train.

Alex and Colin's stories flow like mist down the Thames, roll under Hammersmith Bridge, and slip past the windows of forgotten Soho restaurants. As the old men's youth comes to life, two young men watch on - and nobody knows they are falling in love.

The world premiere of this captivating and romantic portrait of London was co-directed by the author at the Jermyn Street Theatre, London, in October 2022.


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Autorenporträt
Peter Gill was born in 1939 in Cardiff and started his professional career as an actor. A director as well as a writer, he has directed over a hundred productions in the UK, Europe and North America. At the Royal Court Theatre in the sixties, he was responsible for introducing D. H. Lawrence's plays to the theatre. The founding director of Riverside Studios and the National Theatre Studio, Peter Gill lives in London. His plays include The Sleepers Den (Royal Court, London, 1965), A Provincial Life (Royal Court, 1966), Over Gardens Out (Royal Court, 1968), Small Change (Royal Court, 1976), Kick for Touch (National Theatre, London, 1983), Cardiff East (National Theatre, 1997), Certain Young Men (Almeida Theatre, London, 1999), The York Realist (English Touring Theatre, 2001), Original Sin (Sheffield Crucible, 2002), Another Door Closed (Theatre Royal, Bath, 2009), A Provincial Life (National Theatre of Wales, Sherman Cymru, Cardiff, 2011), Versailles (Donmar Warehouse, London, 2014) and As Good a Time as Any (Print Room at the Coronet, 2015).
Rezensionen
Gill weaves an intricate, poignant picture of London's queer history . . . proves how brightly remembered lives can shine. Guardian