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In films from Houseboat to The Millionairess to Two Women, Sophia Loren established herself as an actress whose stardom spanned Italy, Europe, and finally Hollywood. Hers was a highly original rise to fame for a European film actress, and in Sophia Loren, Pauline Small highlights a unique career which transcended Italian film culture. Sophia Loren is the first book to explore in detail the transfer of Loren's stardom from Italy to Hollywood and the reasons for her American success, particularly during the 1960s. Looking individually at Loren's major films and drawing on rare archival materials…mehr
In films from Houseboat to The Millionairess to Two Women, Sophia Loren established herself as an actress whose stardom spanned Italy, Europe, and finally Hollywood. Hers was a highly original rise to fame for a European film actress, and in Sophia Loren, Pauline Small highlights a unique career which transcended Italian film culture. Sophia Loren is the first book to explore in detail the transfer of Loren's stardom from Italy to Hollywood and the reasons for her American success, particularly during the 1960s. Looking individually at Loren's major films and drawing on rare archival materials in Italy, Small provides a thorough exploration of the commercial and cultural forces that combined to ensure Loren's enduring star status. Perfect for scholars and aficionados of 1960s Italian and American film, Sophia Loren is a fascinating look at one of the major personalities of modern cinema.
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Autorenporträt
Pauline Small teaches courses on Italian, European and Hollywood cinema at Queen Mary, University of London. Her research interests focus mainly on stardom in 1950s Italy, and contemporary Italian cinema. Her recent book, Sophia Loren: Moulding the Star, was published by Intellect (June 2009) and a book chapter, 'The Films of Emanuele Crialese' in Italian Film Directors in the New Millenium edited by W. Hope (Cambridge Scholars Publishing, 2010). Further to the 2005 publication on Giordana's 'I cento passi' she is at present writing an article on two more recent Italian Mafia films, The Consequences of Love (Sorrentino, 2004) and Gomorrah (Garrone, 2008).
· MONOGRAPH Sophia Loren: moulding the star (Bristol and Chicago: Intellect Books, June 2009) · ARTICLES IN REFEREED JOURNALS 'No Way Out: set design in Mafia films' Italian Studies 66:1 (forthcoming Spring 2011) 'The new Italian film history', The Italianist 30 (2010) 272-289 'Giordana's I cento passi: renegotiating the Mafia codes' in New Cinemas: Journal of Contemporary Film Vol.3 No.1 - 2005, 41-54. 'Constructing identity in Neapolitan cinema' in JIRS 8 2000, 195-210. Desperately Seeking Delia: Mario Martone's L'amore molesto ' in The Italianist 19 (1999), 298-317. 'Gianni Amelio's Il ladro di bambini : recalling the image' in Italian Studies LIII 1998, 150-166. · CHAPTERS IN EDITED BOOKS Crossing Continents in the Cinema of Emanuele Crialese' in Italian Film Directors in the New Millenium edited by W. Hope (Newcastle: Cambridge Scholars Publishing, 2010), pp. 89-103 'Italy on Screen and Italian film studies' in Italy on Screen edited by L. Bolton and C. Siggers-Manson (Berne: Peter Lang, 2010) pp. 203-210 'Deneuve's Italian interludes' in From Perversion to Purity: the stardom of Catherine Deneuve edited by L. Downing and S. Harris (Manchester University Press: 2007) pp. 57-74 'Representing the Female: Rural Idylls, Urban Nightmares' chapter in New Directions in Italian Cinema edited by W.Hope (Peter Lang, 2005), 151-174 'Immigrant images in contemporary Italian cinema' chapter in Italian Colonialism: Legacy and Memory edited by D. Duncan and J. Andall (Peter Lang, 2004), 239-254
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