Sound and Robotics (eBook, PDF)
Speech, Non-Verbal Audio and Robotic Musicianship
Redaktion: Savery, Richard
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Sound and Robotics (eBook, PDF)
Speech, Non-Verbal Audio and Robotic Musicianship
Redaktion: Savery, Richard
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Sound in human-robot interaction currently encompasses a wide range of approaches and methodologies that is not easily classified, analyzed, or compared between projects.
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Sound in human-robot interaction currently encompasses a wide range of approaches and methodologies that is not easily classified, analyzed, or compared between projects.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 357
- Erscheinungstermin: 21. Dezember 2023
- Englisch
- ISBN-13: 9781000993615
- Artikelnr.: 69457957
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 357
- Erscheinungstermin: 21. Dezember 2023
- Englisch
- ISBN-13: 9781000993615
- Artikelnr.: 69457957
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Richard Savery is a Research Fellow at Macquarie University, Australia, working at the intersection of sound and robotics. He completed his doctorate in Music Technology at Georgia Tech, USA, focusing on the use of non-verbal audio for improved human-robot interaction.
1. The Landscape of Sound and Robotics Part 1: Speech 2. Effects of Number
of Voices and Voice Type on Storytelling Experience and Robot Perception 3.
Learning from Humans: How Research on Vocalizations can Inform the
Conceptualization of Robot Sound 4. Talk To Me: Using speech for
loss-of-trust mitigation in social robots 5. Grounding Spoken Language
Part 2: Non-semantic Audio 6. Consequential Sounds and their Effect on
Human Robot Interaction 7. Robot Sound in Distributed Audio Environments 8.
Navigating Robot Sonification: Exploring Four Approaches to Sonification in
Autonomous Vehicles 9. Towards Improving User Experience and Shared Task
Performance with Mobile Robots through Parameterized Nonverbal State
Sonification 10. How Happy Should I Be? Leveraging Neuroticism and
Extraversion for Music-Driven Emotional Interaction in Robotics 11.
Augmenting a Group of Task-Driven Robotic Arms with Emotional Musical
Prosody Part 3: Robotic Musicianship and Musical Robots 12. Musical Robots
: Overview and Methods for Evaluation 13. Robotic Dancing, Emotional
Gestures and Prosody: A Framework for Gestures of Three Robotic Platforms
14. Dead Stars and 'Live' Singers: Posthumous 'Holographic' Performances in
the US and Japan
of Voices and Voice Type on Storytelling Experience and Robot Perception 3.
Learning from Humans: How Research on Vocalizations can Inform the
Conceptualization of Robot Sound 4. Talk To Me: Using speech for
loss-of-trust mitigation in social robots 5. Grounding Spoken Language
Part 2: Non-semantic Audio 6. Consequential Sounds and their Effect on
Human Robot Interaction 7. Robot Sound in Distributed Audio Environments 8.
Navigating Robot Sonification: Exploring Four Approaches to Sonification in
Autonomous Vehicles 9. Towards Improving User Experience and Shared Task
Performance with Mobile Robots through Parameterized Nonverbal State
Sonification 10. How Happy Should I Be? Leveraging Neuroticism and
Extraversion for Music-Driven Emotional Interaction in Robotics 11.
Augmenting a Group of Task-Driven Robotic Arms with Emotional Musical
Prosody Part 3: Robotic Musicianship and Musical Robots 12. Musical Robots
: Overview and Methods for Evaluation 13. Robotic Dancing, Emotional
Gestures and Prosody: A Framework for Gestures of Three Robotic Platforms
14. Dead Stars and 'Live' Singers: Posthumous 'Holographic' Performances in
the US and Japan
1. The Landscape of Sound and Robotics Part 1: Speech 2. Effects of Number
of Voices and Voice Type on Storytelling Experience and Robot Perception 3.
Learning from Humans: How Research on Vocalizations can Inform the
Conceptualization of Robot Sound 4. Talk To Me: Using speech for
loss-of-trust mitigation in social robots 5. Grounding Spoken Language
Part 2: Non-semantic Audio 6. Consequential Sounds and their Effect on
Human Robot Interaction 7. Robot Sound in Distributed Audio Environments 8.
Navigating Robot Sonification: Exploring Four Approaches to Sonification in
Autonomous Vehicles 9. Towards Improving User Experience and Shared Task
Performance with Mobile Robots through Parameterized Nonverbal State
Sonification 10. How Happy Should I Be? Leveraging Neuroticism and
Extraversion for Music-Driven Emotional Interaction in Robotics 11.
Augmenting a Group of Task-Driven Robotic Arms with Emotional Musical
Prosody Part 3: Robotic Musicianship and Musical Robots 12. Musical Robots
: Overview and Methods for Evaluation 13. Robotic Dancing, Emotional
Gestures and Prosody: A Framework for Gestures of Three Robotic Platforms
14. Dead Stars and 'Live' Singers: Posthumous 'Holographic' Performances in
the US and Japan
of Voices and Voice Type on Storytelling Experience and Robot Perception 3.
Learning from Humans: How Research on Vocalizations can Inform the
Conceptualization of Robot Sound 4. Talk To Me: Using speech for
loss-of-trust mitigation in social robots 5. Grounding Spoken Language
Part 2: Non-semantic Audio 6. Consequential Sounds and their Effect on
Human Robot Interaction 7. Robot Sound in Distributed Audio Environments 8.
Navigating Robot Sonification: Exploring Four Approaches to Sonification in
Autonomous Vehicles 9. Towards Improving User Experience and Shared Task
Performance with Mobile Robots through Parameterized Nonverbal State
Sonification 10. How Happy Should I Be? Leveraging Neuroticism and
Extraversion for Music-Driven Emotional Interaction in Robotics 11.
Augmenting a Group of Task-Driven Robotic Arms with Emotional Musical
Prosody Part 3: Robotic Musicianship and Musical Robots 12. Musical Robots
: Overview and Methods for Evaluation 13. Robotic Dancing, Emotional
Gestures and Prosody: A Framework for Gestures of Three Robotic Platforms
14. Dead Stars and 'Live' Singers: Posthumous 'Holographic' Performances in
the US and Japan