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Popular music has become increasingly embedded in complex and often contradictory discourses of wellbeing. For instance, some new genres and sub-cultures of popular music are associated with violence, drug-use, and the angst of living, yet simultaneously define the hopes and dreams of millions of young people. At a service level, popular music is increasingly used as a therapeutic modality in holistic medicine, as well as in conventional health care and public health practice. By conceptually and empirically foregrounding place, this book demonstrates how music - whether from particular…mehr

Produktbeschreibung
Popular music has become increasingly embedded in complex and often contradictory discourses of wellbeing. For instance, some new genres and sub-cultures of popular music are associated with violence, drug-use, and the angst of living, yet simultaneously define the hopes and dreams of millions of young people. At a service level, popular music is increasingly used as a therapeutic modality in holistic medicine, as well as in conventional health care and public health practice. By conceptually and empirically foregrounding place, this book demonstrates how music - whether from particular places, about particular places, or played in particular places " is a crucial component of health and wellbeing.

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Autorenporträt
Gavin J. Andrews, McMaster University, Canada, Paul Kingsbury, Simon Fraser University, Canada and Robin Kearns, The University of Auckland, New Zealand.