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The first ever comprehensive collection of plays in English from Southeast Asia. Features work by eight playwrights from seven countries in Southeast Asia, a region which is experiencing profound change: Singapore , Vietnam , Malaysia , Thailand , the Philippines , Indonesia and Cambodia. Southeast Asian Plays explores the rich variety of dramatic work that is only beginning to be translated into English.
Theatre scripts are merely blueprints for productions, especially in this region. As elsewhere, second productions and revivals are rare, so publication is key to allowing play texts to
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Produktbeschreibung
The first ever comprehensive collection of plays in English from Southeast Asia. Features work by eight playwrights from seven countries in Southeast Asia, a region which is experiencing profound change: Singapore, Vietnam, Malaysia, Thailand, the Philippines, Indonesia and Cambodia. Southeast Asian Plays explores the rich variety of dramatic work that is only beginning to be translated into English.

Theatre scripts are merely blueprints for productions, especially in this region. As elsewhere, second productions and revivals are rare, so publication is key to allowing play texts to find a wider international readership.

Topics include the global financial crisis, sex workers, traditional v modern values, the role of faith in society, corruption in high places and journalistic ethics. The plays have been selected for performance.

Plays:

The Plunge by Jean Tay (Singapore) about the efects of a financial crisis

An Evening At the Opera by Floy Quintos (Philippines) about a dictator and his wife

Night of the Minotaur by Tew Bunnag (Thailand) about a man misused as a monster

Tarap Man by Ann Lee (Malaysia) about a man wrongly imprisoned under the justice system

Dark Race by Dang Chuong (Vietnam) about corruption in high places

Frangipani by Chhon Sina (Cambodia) about the sex trade in Cambodia

Piknic by Joned Suryatmoko (Indonesia) about the need to get rich quick in Bali

Nadirah by Alfian Saat (Singapore) about the conflict between faith and morality

"The editors have done an excellent job of opening up our chances of reading and learning about plays from all over Southeast Asia. ...editorial choices are significant for opening up spaces to voices which are otherwise heard less often. All in all the plays are interesting for the ways in which they grapple with key concerns in their respective societies." --The Asiatic

Autorenporträt
Cheryl Robson has worked for the BBC and as a film lecturer. She founded the Virginia Prize for Fiction in 2009 in the UK. She is an award-winning playwright who has received Arts Council UK commission and option awards and had several plays produced. She ran a theatre company for several years in London, UK, developing and producing international plays by women. She introduced plays by Dacia Maraini, Nawal el saadawi and Marina Carr, among others, to a UK audience. She has edited several anthologies of drama for Aurora Metro, winning the Raymond Williams Award for 'Seven Plays by Women.' Other awards include a Special Jury Prize for Peace for her work on 'The Arab-Israeli Cookbook' by Robin Soans and her doc Rock N Roll Island was recently nominated for Best Short Film at Raindance, London 2015. Aubrey Mellor is a leading Australian Theatre Director. Currently Senior Fellow at LASALLE, in Singapore, he was the first Australian to study Asian writing. Formerly Director of the Australian National Institute of Dramatic Art (NIDA), he is well-known as an acting teacher to a generation of acclaimed Australian actors. He has directed for all major companies, commissioned and premiered plays by Australia's leading playwrights and is a leading proponent of new Australian writing.