Caroline Joan S. Picart, John Edgar Browning
Speaking of Monsters (eBook, PDF)
A Teratological Anthology
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Caroline Joan S. Picart, John Edgar Browning
Speaking of Monsters (eBook, PDF)
A Teratological Anthology
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Employing a range of approaches to examine how "monster-talk" pervades not only popular culture but also public policy through film and other media, this book is a "one-stop shop" of sorts for students and instructors employing various approaches and media in the study of "teratologies," or discourses of the monstrous.
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Employing a range of approaches to examine how "monster-talk" pervades not only popular culture but also public policy through film and other media, this book is a "one-stop shop" of sorts for students and instructors employing various approaches and media in the study of "teratologies," or discourses of the monstrous.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Palgrave Macmillan US
- Seitenzahl: 326
- Erscheinungstermin: 16. Juli 2012
- Englisch
- ISBN-13: 9781137101495
- Artikelnr.: 44927080
- Verlag: Palgrave Macmillan US
- Seitenzahl: 326
- Erscheinungstermin: 16. Juli 2012
- Englisch
- ISBN-13: 9781137101495
- Artikelnr.: 44927080
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Lonnie Athens is a professor in the Department of Criminal Justice at Seton Hall University. Jason C. Bivins is an associate professor and the associate department head in the Department of Philosophy and Religious Studies at North Carolina State University. Harry M. Benshoff is an associate professor of Radio, Television, and Film at the University of North Texas. Noël Carroll is Distinguished Professor of Philosophy at the Graduate Center of the City University of New York and one of the leading philosophers of art and aesthetics in the US. Margaret L. Carter is a writer and scholar of horror. Jeffrey Jerome Cohen is a professor of English and the director of the Medieval and Early Modern Studies Institute (MEMSI) at the George Washington University. Ian Conrich is a fellow in the Department of Literature, Film, and Theatre at the University of Essex. David Frank is a professor of Rhetoric at the University of Oregon and the academic dean of the Robert D. Clark Honors College. Ken Gelder is a professor of English at the University of Melbourne. Cecil Greek is an associate professor of Sociology at University of South Florida Polytechnic. Judith ('Jack') Halberstam is a professor of English, American Studies and Ethnicity, and Gender Studies at the University of Southern California. Mark Jancovich is a professor of Film and Television Studies at the University of East Anglia. Ôrît K?mîr is a professor of Law, Cultureand Gender at the Peres Law School in Israel. Dominick LaCapra is Bryce & Edith M. Bowmar Professor in Humanistic Studies at Cornell University. Kathleen Long is a professor of French in the Department of Romance Studies at Cornell University. Patricia MacCormack is a reader in English, Communication, Film and Media at Anglia Ruskin University, Cambridge. Andrew Hock-Soon Ng is a senior lecturer in Literature at Monash University Malaysia. Daniel A Novak is an associate professor of English at Louisiana State University. Dejan Ognjanovi? received his PhD from the University of Belgrade and was a Fulbright Scholar at the University of California, Berkeley. Stephen Prince is a professor of Theatre and Cinema at Virginia Tech. June Pulliam teaches courses in horror and adolescent literature at Louisiana State University. Laurence A. Rickels is a professor of art and theory at the Academy of Fine Arts in Karlsruhe. David J. Skal is an author and an annual visiting lecturer in popular literature at Trinity College. Carla María Thomas is a Henry M. MacCracken Fellow at New York University.
Introduction: On Monstrosity and Multiculturalism - Caroline Joan ('Kay')
S. Picart and John Edgar Browning PART 1: GENERAL THEORIES OF MONSTROSITY
Monster Culture (Seven Theses) - Jeffrey Jerome Cohen Dread, Taboo, and The
Thing (1982): Toward a Social Theory of the Horror Film - Stephen Prince
Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings -
Noël Carroll Our Vampires, Our Neighbors - Ken Gelder 'Psychological
Thriller': Dead of Night (1945), British Film Culture, and the 1940s Horror
Cycle - Mark Jancovich PART 2: TERATOLOGIES OF NATIONALITY AND RACE
Monsters in the Literary Traditions of Asia: A Critical Appraisal - Andrew
Hock-Soon Ng Slayer as Monster in Blood+ (2005-2006) and Buffy the Vampire
Slayer (1997-2003) - Margaret L. Carter 'Shapeless Deformity': Monstrosity,
Visibility, and Racial Masquerade in Thomas Grattan's Cagot's Hut (1823) -
Daniel Novak PART 3: IN BETWEEN FEAR AND DESIRE Apt Pupil (1998): The
Hollywood Nazi-As-Monster Flick - Caroline Joan ('Kay') S. Picart and David
Frank Demons Driven: Religious Teratologies - Jason C. Bivins An Age of
Mechanical Destruction: Power Tools and the Monstrous in The Texas Chain
Saw Massacre Films - Ian Conrich PART 4: QUEER THEORY AND BOUNDARY
CROSSINGS 'Way Too Gay to Be Ignored?': The Production and Reception of
Queer Horror Cinema in the Twenty-First Century - Harry Benshoff Seed of
Chucky: Transbiology and the Horror Flick - Judith ('Jack') Halberstam PART
5: CRIMINOLOGY, LAW, AND TERATOLOGIES: BETWEEN THE REAL AND THE REEL Stage
Four: Virulency - Lonnie H. Athens Profiling the Terrorist as a Mass
Murderer - Caroline Joan ('Kay') S. Picart and Cecil E. Greek What Makes
Stalking Monsters So Monstrous, and How to Survive Them? - Ôrît K?mîr Race
and Serial Killing in the Media: The Case of Wayne Williams - Caroline Joan
('Kay') S. Picart PART 6: THE BIOLOGICAL MONSTROUS AND GENDER: THE
HUMAN-ANIMAL-MACHINE DIVIDES ''Nature Abhors Normality': Theories of the
Monstrous from Aristotleto The X-Files (1993-2002) - Kathleen Long Monster
Spawn of Animal Experimentation in the Early Work of H. G. Wells: On the
Containment of Psychopathic Violence as Preliminary to the Onset of the
Capacity for Mourning - Laurence A. Rickels Why Is the Tension So High? The
Monstrous Feminine in (Post)Modern Slasher Films - Dejan Ognjanovi? Blood
and Bitches: Sexual Politics and the Female Lycanthrope in Young Adult
Fiction - June Pulliam PART 7: TERATOLOGIES AND ETHICS The Queer Ethics of
Monstrosity - Patricia MacCormack Reopening the Question of the Human and
the Animal - Dominick LaCapra Where Reality and Fantasy Meet and Bifurcate:
Holocaust Themes in Pan's Labyrinth (2006), X-Men (2000), and V (1983) -
Caroline Joan ('Kay') S. Picart, John Edgar Browning, and Carla María
Thomas
S. Picart and John Edgar Browning PART 1: GENERAL THEORIES OF MONSTROSITY
Monster Culture (Seven Theses) - Jeffrey Jerome Cohen Dread, Taboo, and The
Thing (1982): Toward a Social Theory of the Horror Film - Stephen Prince
Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings -
Noël Carroll Our Vampires, Our Neighbors - Ken Gelder 'Psychological
Thriller': Dead of Night (1945), British Film Culture, and the 1940s Horror
Cycle - Mark Jancovich PART 2: TERATOLOGIES OF NATIONALITY AND RACE
Monsters in the Literary Traditions of Asia: A Critical Appraisal - Andrew
Hock-Soon Ng Slayer as Monster in Blood+ (2005-2006) and Buffy the Vampire
Slayer (1997-2003) - Margaret L. Carter 'Shapeless Deformity': Monstrosity,
Visibility, and Racial Masquerade in Thomas Grattan's Cagot's Hut (1823) -
Daniel Novak PART 3: IN BETWEEN FEAR AND DESIRE Apt Pupil (1998): The
Hollywood Nazi-As-Monster Flick - Caroline Joan ('Kay') S. Picart and David
Frank Demons Driven: Religious Teratologies - Jason C. Bivins An Age of
Mechanical Destruction: Power Tools and the Monstrous in The Texas Chain
Saw Massacre Films - Ian Conrich PART 4: QUEER THEORY AND BOUNDARY
CROSSINGS 'Way Too Gay to Be Ignored?': The Production and Reception of
Queer Horror Cinema in the Twenty-First Century - Harry Benshoff Seed of
Chucky: Transbiology and the Horror Flick - Judith ('Jack') Halberstam PART
5: CRIMINOLOGY, LAW, AND TERATOLOGIES: BETWEEN THE REAL AND THE REEL Stage
Four: Virulency - Lonnie H. Athens Profiling the Terrorist as a Mass
Murderer - Caroline Joan ('Kay') S. Picart and Cecil E. Greek What Makes
Stalking Monsters So Monstrous, and How to Survive Them? - Ôrît K?mîr Race
and Serial Killing in the Media: The Case of Wayne Williams - Caroline Joan
('Kay') S. Picart PART 6: THE BIOLOGICAL MONSTROUS AND GENDER: THE
HUMAN-ANIMAL-MACHINE DIVIDES ''Nature Abhors Normality': Theories of the
Monstrous from Aristotleto The X-Files (1993-2002) - Kathleen Long Monster
Spawn of Animal Experimentation in the Early Work of H. G. Wells: On the
Containment of Psychopathic Violence as Preliminary to the Onset of the
Capacity for Mourning - Laurence A. Rickels Why Is the Tension So High? The
Monstrous Feminine in (Post)Modern Slasher Films - Dejan Ognjanovi? Blood
and Bitches: Sexual Politics and the Female Lycanthrope in Young Adult
Fiction - June Pulliam PART 7: TERATOLOGIES AND ETHICS The Queer Ethics of
Monstrosity - Patricia MacCormack Reopening the Question of the Human and
the Animal - Dominick LaCapra Where Reality and Fantasy Meet and Bifurcate:
Holocaust Themes in Pan's Labyrinth (2006), X-Men (2000), and V (1983) -
Caroline Joan ('Kay') S. Picart, John Edgar Browning, and Carla María
Thomas
Introduction: On Monstrosity and Multiculturalism - Caroline Joan ('Kay')
S. Picart and John Edgar Browning PART 1: GENERAL THEORIES OF MONSTROSITY
Monster Culture (Seven Theses) - Jeffrey Jerome Cohen Dread, Taboo, and The
Thing (1982): Toward a Social Theory of the Horror Film - Stephen Prince
Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings -
Noël Carroll Our Vampires, Our Neighbors - Ken Gelder 'Psychological
Thriller': Dead of Night (1945), British Film Culture, and the 1940s Horror
Cycle - Mark Jancovich PART 2: TERATOLOGIES OF NATIONALITY AND RACE
Monsters in the Literary Traditions of Asia: A Critical Appraisal - Andrew
Hock-Soon Ng Slayer as Monster in Blood+ (2005-2006) and Buffy the Vampire
Slayer (1997-2003) - Margaret L. Carter 'Shapeless Deformity': Monstrosity,
Visibility, and Racial Masquerade in Thomas Grattan's Cagot's Hut (1823) -
Daniel Novak PART 3: IN BETWEEN FEAR AND DESIRE Apt Pupil (1998): The
Hollywood Nazi-As-Monster Flick - Caroline Joan ('Kay') S. Picart and David
Frank Demons Driven: Religious Teratologies - Jason C. Bivins An Age of
Mechanical Destruction: Power Tools and the Monstrous in The Texas Chain
Saw Massacre Films - Ian Conrich PART 4: QUEER THEORY AND BOUNDARY
CROSSINGS 'Way Too Gay to Be Ignored?': The Production and Reception of
Queer Horror Cinema in the Twenty-First Century - Harry Benshoff Seed of
Chucky: Transbiology and the Horror Flick - Judith ('Jack') Halberstam PART
5: CRIMINOLOGY, LAW, AND TERATOLOGIES: BETWEEN THE REAL AND THE REEL Stage
Four: Virulency - Lonnie H. Athens Profiling the Terrorist as a Mass
Murderer - Caroline Joan ('Kay') S. Picart and Cecil E. Greek What Makes
Stalking Monsters So Monstrous, and How to Survive Them? - Ôrît K?mîr Race
and Serial Killing in the Media: The Case of Wayne Williams - Caroline Joan
('Kay') S. Picart PART 6: THE BIOLOGICAL MONSTROUS AND GENDER: THE
HUMAN-ANIMAL-MACHINE DIVIDES ''Nature Abhors Normality': Theories of the
Monstrous from Aristotleto The X-Files (1993-2002) - Kathleen Long Monster
Spawn of Animal Experimentation in the Early Work of H. G. Wells: On the
Containment of Psychopathic Violence as Preliminary to the Onset of the
Capacity for Mourning - Laurence A. Rickels Why Is the Tension So High? The
Monstrous Feminine in (Post)Modern Slasher Films - Dejan Ognjanovi? Blood
and Bitches: Sexual Politics and the Female Lycanthrope in Young Adult
Fiction - June Pulliam PART 7: TERATOLOGIES AND ETHICS The Queer Ethics of
Monstrosity - Patricia MacCormack Reopening the Question of the Human and
the Animal - Dominick LaCapra Where Reality and Fantasy Meet and Bifurcate:
Holocaust Themes in Pan's Labyrinth (2006), X-Men (2000), and V (1983) -
Caroline Joan ('Kay') S. Picart, John Edgar Browning, and Carla María
Thomas
S. Picart and John Edgar Browning PART 1: GENERAL THEORIES OF MONSTROSITY
Monster Culture (Seven Theses) - Jeffrey Jerome Cohen Dread, Taboo, and The
Thing (1982): Toward a Social Theory of the Horror Film - Stephen Prince
Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings -
Noël Carroll Our Vampires, Our Neighbors - Ken Gelder 'Psychological
Thriller': Dead of Night (1945), British Film Culture, and the 1940s Horror
Cycle - Mark Jancovich PART 2: TERATOLOGIES OF NATIONALITY AND RACE
Monsters in the Literary Traditions of Asia: A Critical Appraisal - Andrew
Hock-Soon Ng Slayer as Monster in Blood+ (2005-2006) and Buffy the Vampire
Slayer (1997-2003) - Margaret L. Carter 'Shapeless Deformity': Monstrosity,
Visibility, and Racial Masquerade in Thomas Grattan's Cagot's Hut (1823) -
Daniel Novak PART 3: IN BETWEEN FEAR AND DESIRE Apt Pupil (1998): The
Hollywood Nazi-As-Monster Flick - Caroline Joan ('Kay') S. Picart and David
Frank Demons Driven: Religious Teratologies - Jason C. Bivins An Age of
Mechanical Destruction: Power Tools and the Monstrous in The Texas Chain
Saw Massacre Films - Ian Conrich PART 4: QUEER THEORY AND BOUNDARY
CROSSINGS 'Way Too Gay to Be Ignored?': The Production and Reception of
Queer Horror Cinema in the Twenty-First Century - Harry Benshoff Seed of
Chucky: Transbiology and the Horror Flick - Judith ('Jack') Halberstam PART
5: CRIMINOLOGY, LAW, AND TERATOLOGIES: BETWEEN THE REAL AND THE REEL Stage
Four: Virulency - Lonnie H. Athens Profiling the Terrorist as a Mass
Murderer - Caroline Joan ('Kay') S. Picart and Cecil E. Greek What Makes
Stalking Monsters So Monstrous, and How to Survive Them? - Ôrît K?mîr Race
and Serial Killing in the Media: The Case of Wayne Williams - Caroline Joan
('Kay') S. Picart PART 6: THE BIOLOGICAL MONSTROUS AND GENDER: THE
HUMAN-ANIMAL-MACHINE DIVIDES ''Nature Abhors Normality': Theories of the
Monstrous from Aristotleto The X-Files (1993-2002) - Kathleen Long Monster
Spawn of Animal Experimentation in the Early Work of H. G. Wells: On the
Containment of Psychopathic Violence as Preliminary to the Onset of the
Capacity for Mourning - Laurence A. Rickels Why Is the Tension So High? The
Monstrous Feminine in (Post)Modern Slasher Films - Dejan Ognjanovi? Blood
and Bitches: Sexual Politics and the Female Lycanthrope in Young Adult
Fiction - June Pulliam PART 7: TERATOLOGIES AND ETHICS The Queer Ethics of
Monstrosity - Patricia MacCormack Reopening the Question of the Human and
the Animal - Dominick LaCapra Where Reality and Fantasy Meet and Bifurcate:
Holocaust Themes in Pan's Labyrinth (2006), X-Men (2000), and V (1983) -
Caroline Joan ('Kay') S. Picart, John Edgar Browning, and Carla María
Thomas