It is a paean to empire, a thanksgiving for survival and an extraordinary theatrical spectacle in a "new" world peopled by Native inhabitants who are represented in it as both characters and audience. Arguably the first American play, it has also been called "a significant entry-point of Western cultural hegemony," sparking political activists to disrupt the re-enactment planned for its four hundredth anniversary celebration.
This new edition includes the original French script along with its long out-of-print English translations by American historical preservationist Harriette Taber Richardson and Canadian scholars Eugene and Renate Benson, as well as Ben Jonson's The Masque of Blackness (1605), an illustrative contemporary English imperial spectacle. The extensive historical and critical introduction and bibliography are provided by Jerry Wasserman, Professor of Theatre at the University of British Columbia.
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