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This book presents a selected body of Bryan Cantley's work, showcasing projects which seek to understand and explore the conditions, contexts, and media logics which govern a new territory of highly experimental architecture/design praxis, and to speculate on the Architecture[s] which it might occupy, and which might occupy it.
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This book presents a selected body of Bryan Cantley's work, showcasing projects which seek to understand and explore the conditions, contexts, and media logics which govern a new territory of highly experimental architecture/design praxis, and to speculate on the Architecture[s] which it might occupy, and which might occupy it.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 4. April 2023
- Englisch
- ISBN-13: 9781000863956
- Artikelnr.: 67486945
- Verlag: Taylor & Francis
- Seitenzahl: 278
- Erscheinungstermin: 4. April 2023
- Englisch
- ISBN-13: 9781000863956
- Artikelnr.: 67486945
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Author: Prof. Bryan Cantley:
Bryan's work attempts to blur the undefined zone between architecture and its representation. In 1992, Bryan Cantley established Form:uLA, a practice that explores the boundaries of architecture, representation and the role of experimental drawing, within the discourse of visionary space. He is a Full Professor of Design at California State University Fullerton. Bryan has lectured at a number of architecture schools internationally including The Bartlett School of Architcture, SCI-arc, and UCLA. He has been visiting faculty at SCI-ARC and Woodbury University. Bryan was the recipient of a Graham Foundation Grant in 2002. His work is in the Permanent Collection at SFMOMA, as well as the personal collection of Thom Mayne. Bryan has shown work in a number of institutions, including SFMOMA, and solo exhibitions at The Bartlett, SCI-arc, and UCLA. His first monograph, Mechudzu, was published by Springer in 2010.
Editor: Peter J Baldwin:
Peter is a registered and chartered Architect and Senior Lecturer in Architecture, M, Arch Programme Leader and Director of Scholarship and Professional Practice at the University of Lincoln's School of Architecture and the Built Environment. Peter has taught and lectured at Schools across the UK. Peter's research explores the role of the drawing as an environment for speculation and the generative potential of non-traditional modes of architectural representation. Peter has lectured and taught in schools of architecture across the UK and his work has been published and exhibited internationally, most recently as part of the "In Memoriam" Exhibition at the Yale School of Architecture 2020.
Bryan's work attempts to blur the undefined zone between architecture and its representation. In 1992, Bryan Cantley established Form:uLA, a practice that explores the boundaries of architecture, representation and the role of experimental drawing, within the discourse of visionary space. He is a Full Professor of Design at California State University Fullerton. Bryan has lectured at a number of architecture schools internationally including The Bartlett School of Architcture, SCI-arc, and UCLA. He has been visiting faculty at SCI-ARC and Woodbury University. Bryan was the recipient of a Graham Foundation Grant in 2002. His work is in the Permanent Collection at SFMOMA, as well as the personal collection of Thom Mayne. Bryan has shown work in a number of institutions, including SFMOMA, and solo exhibitions at The Bartlett, SCI-arc, and UCLA. His first monograph, Mechudzu, was published by Springer in 2010.
Editor: Peter J Baldwin:
Peter is a registered and chartered Architect and Senior Lecturer in Architecture, M, Arch Programme Leader and Director of Scholarship and Professional Practice at the University of Lincoln's School of Architecture and the Built Environment. Peter has taught and lectured at Schools across the UK. Peter's research explores the role of the drawing as an environment for speculation and the generative potential of non-traditional modes of architectural representation. Peter has lectured and taught in schools of architecture across the UK and his work has been published and exhibited internationally, most recently as part of the "In Memoriam" Exhibition at the Yale School of Architecture 2020.
Foreword: 'Architectural Cymbalism and the Caress of Steel
Editorial: 'Read Me' Instructions for Proper Use
1. Emergent CONditions + Media Logics
ME-di@ Logics + Being in the [k]now
Alice [2.0]
CSFU Sentinel
'Ten Years After'
2. Dirty Geometries + Mechanical Imperfections
Social AMPs 01,02 + 03
OMWFT WYSIWYG
COSMO
3. Towards a Taxonometric Architecture
Tree Hugger
On the Move
Palimpsestuous Relationships
Ideal for frequent drawers. Not for any use on skin, including tattoos
4. rE-mergent CONditions
Ozone Metric Anomaly
Ministry of [w]Hore-2:culture
Calibrating Space
Towards a s[Y/N]thetic Reality
5. Speculative Conditions
'S(y/n)taxo[G]nome + (taxon objects)'
'20220202_02'
Camera Noxoculo
H[n]otel-CA
DomestiC-19
Eye, Hand and Mind: an interview with Bryan Cantley
Afterword: Human Error
Editorial: 'Read Me' Instructions for Proper Use
1. Emergent CONditions + Media Logics
ME-di@ Logics + Being in the [k]now
Alice [2.0]
CSFU Sentinel
'Ten Years After'
2. Dirty Geometries + Mechanical Imperfections
Social AMPs 01,02 + 03
OMWFT WYSIWYG
COSMO
3. Towards a Taxonometric Architecture
Tree Hugger
On the Move
Palimpsestuous Relationships
Ideal for frequent drawers. Not for any use on skin, including tattoos
4. rE-mergent CONditions
Ozone Metric Anomaly
Ministry of [w]Hore-2:culture
Calibrating Space
Towards a s[Y/N]thetic Reality
5. Speculative Conditions
'S(y/n)taxo[G]nome + (taxon objects)'
'20220202_02'
Camera Noxoculo
H[n]otel-CA
DomestiC-19
Eye, Hand and Mind: an interview with Bryan Cantley
Afterword: Human Error
Foreword: 'Architectural Cymbalism and the Caress of Steel
Editorial: 'Read Me' Instructions for Proper Use
1. Emergent CONditions + Media Logics
ME-di@ Logics + Being in the [k]now
Alice [2.0]
CSFU Sentinel
'Ten Years After'
2. Dirty Geometries + Mechanical Imperfections
Social AMPs 01,02 + 03
OMWFT WYSIWYG
COSMO
3. Towards a Taxonometric Architecture
Tree Hugger
On the Move
Palimpsestuous Relationships
Ideal for frequent drawers. Not for any use on skin, including tattoos
4. rE-mergent CONditions
Ozone Metric Anomaly
Ministry of [w]Hore-2:culture
Calibrating Space
Towards a s[Y/N]thetic Reality
5. Speculative Conditions
'S(y/n)taxo[G]nome + (taxon objects)'
'20220202_02'
Camera Noxoculo
H[n]otel-CA
DomestiC-19
Eye, Hand and Mind: an interview with Bryan Cantley
Afterword: Human Error
Editorial: 'Read Me' Instructions for Proper Use
1. Emergent CONditions + Media Logics
ME-di@ Logics + Being in the [k]now
Alice [2.0]
CSFU Sentinel
'Ten Years After'
2. Dirty Geometries + Mechanical Imperfections
Social AMPs 01,02 + 03
OMWFT WYSIWYG
COSMO
3. Towards a Taxonometric Architecture
Tree Hugger
On the Move
Palimpsestuous Relationships
Ideal for frequent drawers. Not for any use on skin, including tattoos
4. rE-mergent CONditions
Ozone Metric Anomaly
Ministry of [w]Hore-2:culture
Calibrating Space
Towards a s[Y/N]thetic Reality
5. Speculative Conditions
'S(y/n)taxo[G]nome + (taxon objects)'
'20220202_02'
Camera Noxoculo
H[n]otel-CA
DomestiC-19
Eye, Hand and Mind: an interview with Bryan Cantley
Afterword: Human Error