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Edmund Rubbra's music has given him a reputation as a 'spiritual' composer, who had an interest in Eastern thought, and a mid-life conversion to Roman Catholicism.
Edmund Rubbra's music has given him a reputation as a 'spiritual' composer, who had an interest in Eastern thought, and a mid-life conversion to Roman Catholicism.
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Autorenporträt
Lucinda Cradduck, now retired, was for nearly thirty years an Associate Lecturer in music with the Open University.
Inhaltsangabe
1. 'The natural product of a religious nature': introducing spirituality and Rubbra's music 2. 'Point of departure': the enduring influence of Theosophy on Rubbra's work 3. Body, mind and spirit: Rubbra's involvement with dance 4. Looking East 5. 'Pan is Playing': Nature mysticism in Rubbra's Music 6. Rubbra's homage to Teilhard de Chardin 7. From 'Dark Night' to 'Resurrection': The figure of Christ in Rubbra's music 8. 'Rather a peculiar spiritual make-up'? References and bibliography
1. 'The natural product of a religious nature': introducing spirituality and Rubbra's music
2. 'Point of departure': the enduring influence of Theosophy on Rubbra's work
3. Body, mind and spirit: Rubbra's involvement with dance
4. Looking East
5. 'Pan is Playing': Nature mysticism in Rubbra's Music
6. Rubbra's homage to Teilhard de Chardin
7. From 'Dark Night' to 'Resurrection': The figure of Christ in Rubbra's music
1. 'The natural product of a religious nature': introducing spirituality and Rubbra's music 2. 'Point of departure': the enduring influence of Theosophy on Rubbra's work 3. Body, mind and spirit: Rubbra's involvement with dance 4. Looking East 5. 'Pan is Playing': Nature mysticism in Rubbra's Music 6. Rubbra's homage to Teilhard de Chardin 7. From 'Dark Night' to 'Resurrection': The figure of Christ in Rubbra's music 8. 'Rather a peculiar spiritual make-up'? References and bibliography
1. 'The natural product of a religious nature': introducing spirituality and Rubbra's music
2. 'Point of departure': the enduring influence of Theosophy on Rubbra's work
3. Body, mind and spirit: Rubbra's involvement with dance
4. Looking East
5. 'Pan is Playing': Nature mysticism in Rubbra's Music
6. Rubbra's homage to Teilhard de Chardin
7. From 'Dark Night' to 'Resurrection': The figure of Christ in Rubbra's music
8. 'Rather a peculiar spiritual make-up'?
References and bibliography
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