Young clients at the Babbling Brook Listening Center describe their struggles of childhood, growing up weird, living in poverty, living in luxury, living in the turmoil of the 1960s and early 1970s, and facing the eternal challenges of interacting with other weird humans.
There are good, bad, and ugly things in the real world, and even more so in the weird worlds inside of human minds.
Some would caution, "you should only show the good..." and others would counter, "it's the bad and ugly that make best-sellers..."
Journalism is supposed to show and tell things as they are. But, the scariest, weirdest, and most horrible stuff always get the top headlines, making the world seem considerably less civil and much scarier than it really is.
Millions of people can peaceably enjoy a day, but it will be the few dozen that cause a ruckus, or a big fire, or one multiple-murder, or a few cases of food poisoning, or a sensational arrest, or a war somewhere, that get the headlines.
This book is not journalism, though the author has worked as a journalist, investigative reporter, and managing editor. He has also spent time as a law clerk, property manager, construction worker, business consultant, and entrepreneur of small businesses, while sidelining as a political activist, campaign consultant, and a bunch of other things. He has packed his resume with 100 years of experience into a 65 year lifespan by working multiple projects at the same time.
Many of the incidents and attitudes in this book are things that have been witnessed by, investigated, or told to the author over the years. Others are a mixture of things from various people, sources, and knowledge bases, including his undergraduate work and independent studies in psychology, sociology, and special education. Others are just figments of the author's active imagination.
This book isn't meant to be sensational horror and dread, nor is it sugar-coated to be all sweet and smarmy. The purpose is to look at various aspects of humanity and the human condition, including the workings of the human mind, and the conjunctures of human relations.
How people cope with their circumstances is both interesting and informative. Understanding coping mechanisms is one of the main focuses of this work.
The human mind, the human condition, and human relationships are very rich sources for scientific research, analysis, and wonderment. It often isn't difficult for a forensic scientist to discover exactly what was done. What is much more difficult is to figure out WHY. For that you must get into the mind.
For many years the author has been listening to people talk about things that were done. Many of them give the "who, what, when, where, and how" fairly easily. But the more important question of "why" is often left out, lied about, or just trivialized.
Doctor Ydobon asks "why" fairly often, during the interviews. But, the doctor's questions are not part of the manuscript. The statements of the interviewees are the subject matter.
So, this book is not a story. It doesn't follow a pattern of storytelling where there is a beginning, plot, intrigue, and finale. Instead, it has all of those ingrained. But, they are weaved throughout using the interview process, like a documentary might do, going into the thinking of the many people involved.
There are good, bad, and ugly things in the real world, and even more so in the weird worlds inside of human minds.
Some would caution, "you should only show the good..." and others would counter, "it's the bad and ugly that make best-sellers..."
Journalism is supposed to show and tell things as they are. But, the scariest, weirdest, and most horrible stuff always get the top headlines, making the world seem considerably less civil and much scarier than it really is.
Millions of people can peaceably enjoy a day, but it will be the few dozen that cause a ruckus, or a big fire, or one multiple-murder, or a few cases of food poisoning, or a sensational arrest, or a war somewhere, that get the headlines.
This book is not journalism, though the author has worked as a journalist, investigative reporter, and managing editor. He has also spent time as a law clerk, property manager, construction worker, business consultant, and entrepreneur of small businesses, while sidelining as a political activist, campaign consultant, and a bunch of other things. He has packed his resume with 100 years of experience into a 65 year lifespan by working multiple projects at the same time.
Many of the incidents and attitudes in this book are things that have been witnessed by, investigated, or told to the author over the years. Others are a mixture of things from various people, sources, and knowledge bases, including his undergraduate work and independent studies in psychology, sociology, and special education. Others are just figments of the author's active imagination.
This book isn't meant to be sensational horror and dread, nor is it sugar-coated to be all sweet and smarmy. The purpose is to look at various aspects of humanity and the human condition, including the workings of the human mind, and the conjunctures of human relations.
How people cope with their circumstances is both interesting and informative. Understanding coping mechanisms is one of the main focuses of this work.
The human mind, the human condition, and human relationships are very rich sources for scientific research, analysis, and wonderment. It often isn't difficult for a forensic scientist to discover exactly what was done. What is much more difficult is to figure out WHY. For that you must get into the mind.
For many years the author has been listening to people talk about things that were done. Many of them give the "who, what, when, where, and how" fairly easily. But the more important question of "why" is often left out, lied about, or just trivialized.
Doctor Ydobon asks "why" fairly often, during the interviews. But, the doctor's questions are not part of the manuscript. The statements of the interviewees are the subject matter.
So, this book is not a story. It doesn't follow a pattern of storytelling where there is a beginning, plot, intrigue, and finale. Instead, it has all of those ingrained. But, they are weaved throughout using the interview process, like a documentary might do, going into the thinking of the many people involved.
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