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  • Format: ePub

Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction genre in the mid 1920s in Hollywood films such as Harold Lloyd's The Freshman (1925), to its contemporary manifestation in Oscar-winning films such as Million Dollar Baby (2004) and The Fighter (2010). Drawing on an extensive range of films as source material, the book explores key issues in the study of sport, film and wider society, including race, social class, gender and the legacy of 9/11. It also offers an invaluable guide to 'reading' a film, to help…mehr

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Produktbeschreibung
Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction genre in the mid 1920s in Hollywood films such as Harold Lloyd's The Freshman (1925), to its contemporary manifestation in Oscar-winning films such as Million Dollar Baby (2004) and The Fighter (2010). Drawing on an extensive range of films as source material, the book explores key issues in the study of sport, film and wider society, including race, social class, gender and the legacy of 9/11. It also offers an invaluable guide to 'reading' a film, to help students fully engage with their source material. Comprehensive, authoritative and accessible, this book is an important addition to the literature in both film and media studies, sport studies and cultural studies more generally.


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Autorenporträt
Seán Crosson is Programme Director of the MA in Film Studies: Theory and Practice in the Huston School of Film & Digital Media at NUI, Galway, Ireland. He has published widely on film, focusing in particular in recent years on the representation of sport in film. His previous publications include (as co-editor) the collection Sport, Representation and Evolving Identities in Europe (Peter Lang, 2010) and a special issue of Media History journal on 'Sport and the Media in Ireland' (2011).