Wendy Sutherland

Staging Blackness and Performing Whiteness in Eighteenth-Century German Drama (eBook, ePUB)

• Format: ePub

Produktbeschreibung

Focusing on eighteenth-century cultural production, Wendy Sutherland examines how representations of blackness in philosophy, anthropology, aesthetics, drama, and court painting influenced the construction of the white bourgeois German self. Sutherland argues that German bourgeois dramas, such as those by Friedrich Wilhelm Ziegler, Ernst Lorenz Rathlef, Theodor Körner (and a novella by Heinrich von Kleist on which Körner's play was based) played a significant role in constructing whiteness by using the black female protagonist to set the boundaries of physical beauty while complicating ideas of moral beauty. Situated within the framework of the transatlantic slave trade, her book offers convincing evidence that the eighteenth-century German stage engaged with the representation of blackness, even though the German states were neither colonial powers nor direct participants in the slave trade.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 272
• Erscheinungstermin: 15. Mai 2017
• Englisch
• ISBN-13: 9781317050858
• Artikelnr.: 48417491

Autorenporträt

Wendy Sutherland is Associate Professor of German at New College of Florida, USA.

Inhaltsangabe

Contents: Prologue
Introduction
Race in 18th-century Germany
Slavery, colonialism, and the 18th-century global stage
'Looking at the overlooked': stage properties and the table in Karl Lessing's Die Mÿtresse (1780) excursus: the Court Moor and 18th-century court painting
The construction of whiteness in 18th-century bourgeois drama
Race, doubles, and foils: staging blackness in Friedrich Wilhelm Ziegler's Die Mohrinn (1801)
Race, homosocial desire, and the black in Ernst Lorenz Rathlef's Die Mohrinn zu Hamburg (1775)
Reading in the dark? Racial hierarchy and miscegenation in Heinrich von Kleist's 'Die Verlobung in St. Domingo' (1811) and Theodor Körner's Toni (1812)
Epilogue
Bibliography
Index.

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Contents: Prologue; Introduction; Race in 18th-century Germany; Slavery, colonialism, and the 18th-century global stage; 'Looking at the overlooked': stage properties and the table in Karl Lessing's Die Mätresse (1780) excursus: the Court Moor and 18th-century court painting; The construction of whiteness in 18th-century bourgeois drama; Race, doubles, and foils: staging blackness in Friedrich Wilhelm Ziegler's Die Mohrinn (1801); Race, homosocial desire, and the black in Ernst Lorenz Rathlef's Die Mohrinn zu Hamburg (1775); Reading in the dark? Racial hierarchy and miscegenation in Heinrich von Kleist's 'Die Verlobung in St. Domingo' (1811) and Theodor Körner's Toni (1812); Epilogue; Bibliography; Index.

Rezensionen

'A sophisticated and perceptive investigation of a significant yet somewhat neglected body of German literature that brings to light racial tensions and colonial issues implied in the seemingly closed world of "domestic" middle-class works.' Karl S. Guthke, Harvard University, USA