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The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work
GREG GIESEKAM sits on the Board with Ankur Productions and was a Senior Lecturer in Theatre Studies at the University of Glasgow, UK until 2006.
Inhaltsangabe
List of Illustrations General Editor's Preface Acknowledgements Introduction: Contamination or Remediation? Magic to Realism: European Pioneers Polyscenicness: Josef Svoboda and Laterna Magika Big Screen to Small Screen Postmodern Collage: The Wooster Group Third-hand Photocopies: Forced Entertainment Live Films on Stage: The Builders Association Crossing the Celluloid Divide: Forkbeard Fantasy Quantum Theatre: Station House Opera Electric Campfires: Robert Lepage Conclusion Index.
List of Illustrations General Editor's Preface Acknowledgements Introduction: Contamination or Remediation? Magic to Realism: European Pioneers Polyscenicness: Josef Svoboda and Laterna Magika Big Screen to Small Screen Postmodern Collage: The Wooster Group Third-hand Photocopies: Forced Entertainment Live Films on Stage: The Builders Association Crossing the Celluloid Divide: Forkbeard Fantasy Quantum Theatre: Station House Opera Electric Campfires: Robert Lepage Conclusion Index.
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