One day, Kristin comes back to Friedrich's rooms in tears, battered and bruised. She tells him that her real name is Stella, and that she is Jewish, passing for Aryan. More disturbing still, she has troubling connections with the Gestapo that Friedrich does not fully understand. As Friedrich confronts Stella's unimaginable choices, he finds himself woefully unprepared for the history he is living through. Based in part on a real historical character, Stella sets a tortured love story against the backdrop of wartime Berlin, and powerfully explores questions of naiveté, young love, betrayal, and the horrors of history.
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