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Mysterious yet compelling, bewildering yet intoxicating, a play that mixes poetic rhythms with vernacular phrases, rap-song repetitions with complex psychology.
A husband and wife row about a prescription. A mother and father row about their son, who has become a child soldier. Two sisters row about which one is superior to the other. It emerges that the younger sister, Mary, has killed the child soldier. She is to be stoned to death...
What if all these things were happening here? And what if these people were white?
debbie tucker green's play stoning mary was first performed at the
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Produktbeschreibung
Mysterious yet compelling, bewildering yet intoxicating, a play that mixes poetic rhythms with vernacular phrases, rap-song repetitions with complex psychology.

A husband and wife row about a prescription. A mother and father row about their son, who has become a child soldier. Two sisters row about which one is superior to the other. It emerges that the younger sister, Mary, has killed the child soldier. She is to be stoned to death...

What if all these things were happening here? And what if these people were white?

debbie tucker green's play stoning mary was first performed at the Royal Court Theatre, London, in April 2005.

'A theatrical event that brands the conscience as firmly as any hot rod on goatskin... stoning mary is not pretty. It is not easy. But it will wind you with its punch' - Daily Mail

'Works unnervingly well' - Evening Standard

'One of the most assured and extraordinary new voices we've heard in a long while' - Independent


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Autorenporträt
debbie tucker green is a playwright, screenwriter and director. Her plays include: a profoundly affectionate, passionate devotion to someone (-noun) (Royal Court Theatre, 2017); hang (Royal Court, 2015); nut (National Theatre, 2013); truth and reconciliation (Royal Court, 2011); random (Royal Court, 2008); generations (Young Vic, 2007); stoning mary (Royal Court, 2005); trade (RSC, 2005); born bad (Hampstead Theatre, 2003; Olivier Award for Most Promising Newcomer); and dirty butterfly (Soho Theatre, 2003). She wrote and directed the feature film, Second Coming (BFI/Film 4, 2014; International Film Festival Rotterdam Big Screen Award) and adapted her play random into a TV film for Channel 4, which won the 2012 BAFTA for Best Single Drama and the Black International Film/MVSA Award for Best UK Film. Her work for radio includes: lament (Radio Academy Arias Gold Award), gone, random, handprint and freefall.