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The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived and used in performance. This series of close studies of the structure and content of 16th-century and early-17th-century editions (and some manuscripts) of music draws

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Produktbeschreibung
The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived and used in performance. This series of close studies of the structure and content of 16th-century and early-17th-century editions (and some manuscripts) of music draws

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Autorenporträt
Stanley Boorman is Professor in the Department of Music at New York University, USA.