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This lively new study is a critical cultural history of communication technologies, from railways and telegraphy to computers and the Internet, in which Rod Giblett argues that these technologies play a pivotal role in the cultural history of modernity and its project of the sublime.

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Produktbeschreibung
This lively new study is a critical cultural history of communication technologies, from railways and telegraphy to computers and the Internet, in which Rod Giblett argues that these technologies play a pivotal role in the cultural history of modernity and its project of the sublime.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
ROD GIBLETT is Senior Lecturer in Media and Cultural Studies, School of Communications and Contemporary Arts, Edith Cowan University, Western Australia. He is the author of Postmodern Wetlands: Culture, History, Ecology (1996) and Living with the Earth: Mastery to Mutuality (2004).
Rezensionen
'An engagement with the history of the future immediately aligns [this] book and its project with the wider issues of our time: interdisciplinarity, ecological responsibility, and environmental sustainability. This is a book with a global agenda... rich, stimulating and rewarding' - Lelia Green, Australian Journal of Communication

'Sublime Communication Technologies is a lively read and a useful contribution to theorising media, space and body and bringing together a range of diverse theorists and "-ospheres" examples.' - Mark Balnaves, Media International Australia

'This is a trenchantly argued and important book whose arguments deserve to be widely read and taken very seriously. Giblett convincingly shows his readers that if we unthinkingly take for granted what might be at stake in the existence of modern communications technologies we are likely to overlook some of the most important political, social, and intellectual challenges posed by recent history and by the contemporary world.' - Ian James, University of Cambridge, UK