Speeding at you in a single extended sentence, this story is paired, in parallel italicized couplets, with a running commentary Breskin has extracted from the endless bubbling fountain of the Internet. This cyber-Greek chorus (presenting voices ranging from the Department of Defense to the Vagina Institute, from lad mags to cosmologists) is frequently hilarious when not terrifying. Sometimes a stand-in for the noise of the world, but more often a torrent of the unexpected and the mindbogglingly apt, this flow pours into and around our heroine's story to make a whole that is, somehow and all at once, sympathetic and satiric, profound and profane.
An intertwined and twinning lattice, in which fact and fiction outdo each other in a festival of the improbable and the unassailably so, Supermodel presents the world we know, rendered in a form we have neither seen before nor anticipated. And yet, we recognize it the instant we find it in front of us, right there, living, on the page: the first epic poem of the Internet Age.
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