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For practitioners and fans, jazz expresses the deepest meanings of life.In this volume, theologian and jazz pianist William Edgar argues that the music of jazz cannot be properly understood apart from the Christian gospel, which like jazz moves from deep lament to inextinguishable joy. By tracing the development of jazz, placing it within the context of the African American experience, and exploring the work of jazz musicians like Miles Davis, Duke Ellington, John Coltrane, Ella Fitzgerald, and Louis Armstrong, Edgar argues that jazz deeply resonates with the hope that is ultimately found in…mehr

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Produktbeschreibung
For practitioners and fans, jazz expresses the deepest meanings of life.In this volume, theologian and jazz pianist William Edgar argues that the music of jazz cannot be properly understood apart from the Christian gospel, which like jazz moves from deep lament to inextinguishable joy. By tracing the development of jazz, placing it within the context of the African American experience, and exploring the work of jazz musicians like Miles Davis, Duke Ellington, John Coltrane, Ella Fitzgerald, and Louis Armstrong, Edgar argues that jazz deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.Grab a table. The show is about to begin.

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Autorenporträt
William Edgar (DThéol, Université de Genève) is professor of apologetics and coordinator of the apologetics department at Westminster Theological Seminary in Philadelphia as well as professeur associé at the Faculté Jean Calvin in Aix-en-Provence, France. He is the author of several books, including Created and Creating: A Biblical Theology of Culture; Reasons of the Heart: Recovering Christian Persuasion; Does Christianity Really Work?; The Christian Mind: Escaping Futility; A Transforming Vision: The Lord's Prayer as a Lens for Life; Francis Schaeffer on the Christian Life; and Christian Apologetics Past and Present.