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Taking Dante Gabriel Rossetti, William Morris, and Gerard Manley Hopkins as its primary subjects, Surface Tension reveals how these later Victorian poets repeatedly imagine the aesthetic moment-charged, variegated, intensely focused-as capable of birthing a new, and newly redemptive, culture. Turning to contemporary experimental poets and theorists of poetry, such as Andrew Joron, Lisa Robertson, Christopher Nealon, and Joan Retallack, it goes on to reveal how our own poetry's fascination with complex surfaces and imagined social transformation has deep and under-recognized ties to Victorian…mehr

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Produktbeschreibung
Taking Dante Gabriel Rossetti, William Morris, and Gerard Manley Hopkins as its primary subjects, Surface Tension reveals how these later Victorian poets repeatedly imagine the aesthetic moment-charged, variegated, intensely focused-as capable of birthing a new, and newly redemptive, culture. Turning to contemporary experimental poets and theorists of poetry, such as Andrew Joron, Lisa Robertson, Christopher Nealon, and Joan Retallack, it goes on to reveal how our own poetry's fascination with complex surfaces and imagined social transformation has deep and under-recognized ties to Victorian concepts. Surface Tension offers new insights into the debt we owe to the most radical of the Victorians while yielding new understandings of how late Victorian poetry, even when least explicitly political, engages, and often re-envisions, the period's pressing anxieties about social progress, decadence, and revolution.

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Autorenporträt
Julie Carr's first book, Mead: An Epithalamion, won the University of Georgia Press's contemporary poetry prize for 2004. Her other books are EQUIVOCAL (Alice James Books, 2007); 100 NOTES ON VIOLENCE (Ahsahta Press, 2010), winner of the 2009 Sawtooth Poetry Prize selected by Rae Armantrout; SARAH OF FRAGMENTS AND LINES (Coffee House Press, 2010), a National Poetry Series winner chosen by Eileen Myles; and THINK TANK (Solid Objects, 2015). Carr's poems have appeared in such journals as VOLT, American Letters & Commentary, Pool, Verse, The Iowa Review, Boston Review, and TriQuarterly. She lives in Denver and teaches at the University of Colorado, Boulder.