Giselle Manica
Symbolic Mental Representations in Arts and Mystical Experiences (eBook, ePUB)
Primordial Mental Activity and Archetypal Constellations
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Giselle Manica
Symbolic Mental Representations in Arts and Mystical Experiences (eBook, ePUB)
Primordial Mental Activity and Archetypal Constellations
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Symbolic Mental Representations in Arts and Mystical Experiences explains how the individual's conceptualization of reality is dependent on the development of their brain, body structure, and the experiences that are physiologically confronted, acted, or observed via learning and/or simulation, occurring in family or community settings.
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Symbolic Mental Representations in Arts and Mystical Experiences explains how the individual's conceptualization of reality is dependent on the development of their brain, body structure, and the experiences that are physiologically confronted, acted, or observed via learning and/or simulation, occurring in family or community settings.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 252
- Erscheinungstermin: 12. Mai 2020
- Englisch
- ISBN-13: 9781000075694
- Artikelnr.: 59436436
- Verlag: Taylor & Francis
- Seitenzahl: 252
- Erscheinungstermin: 12. Mai 2020
- Englisch
- ISBN-13: 9781000075694
- Artikelnr.: 59436436
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Giselle Manica is a clinical psychologist, a graduate of the Federal University of Santa Catarina in Psychology, with an MSc in Social Psychology from the same university, an MA in Mysticism and Religious Experiences, from the University of Kent/UK, and a PhD in Psychoanalytic Studies from the University of Essex/UK
1. Introduction to the understanding of archetypal constellations through
the lens of Primordial Mental Activity. Part I How discussing the
structure, affective charging, and functioning of the body within the
occurrence of archetypal constellations can support the developmental view
of archetypes. 2. Exploring the origins of symbolic thinking: the
intelligibility of the sensing and feeling brain. 3. PMA (Primordial Mental
Activity): The affective-somatic unconscious. 4. Archetypal imagery as
mainly channelled by mental representations that mediate the here-now from
partial simulations of the past, awakening or reliving the affectivity that
marked it, and the background cognitive capacity that (by then) targeted
its metabolisation. 5. Affects, sounds, images, and actions: addressing the
developmental formation and activation of archetypes through the
consideration of image-schemas and PMA. 6. The comparison of PMA to the
fantasy-thinking mind. Conclusion to Part I. Part II - Impressions and
expressions of the body's mind in mystical experiences and Arts. 7.
Proximities and distances between mental illness and mysticism. 8. Mystical
experiences of the Ayahuasca consumption - the Brazilian Santo Daime
doctrine and European neo-shamanism. 9. Witnessing PMA operations: the
activation of archetypes in [neo]shamanic practices. 10. Arts and
psychosis: Comprehending PMA expressions in their association. 11.
Interpreting PMA in artistic creations: primary metaphors on canvases.
Conclusion to Part II. Part III - Affects, image schematic compounds, and
patterns of behaviour - Links between body, concept, and culture. 12.
Conclusions: Understanding affective, non-verbal matrices of the making of
meaning. 13. Further research.
the lens of Primordial Mental Activity. Part I How discussing the
structure, affective charging, and functioning of the body within the
occurrence of archetypal constellations can support the developmental view
of archetypes. 2. Exploring the origins of symbolic thinking: the
intelligibility of the sensing and feeling brain. 3. PMA (Primordial Mental
Activity): The affective-somatic unconscious. 4. Archetypal imagery as
mainly channelled by mental representations that mediate the here-now from
partial simulations of the past, awakening or reliving the affectivity that
marked it, and the background cognitive capacity that (by then) targeted
its metabolisation. 5. Affects, sounds, images, and actions: addressing the
developmental formation and activation of archetypes through the
consideration of image-schemas and PMA. 6. The comparison of PMA to the
fantasy-thinking mind. Conclusion to Part I. Part II - Impressions and
expressions of the body's mind in mystical experiences and Arts. 7.
Proximities and distances between mental illness and mysticism. 8. Mystical
experiences of the Ayahuasca consumption - the Brazilian Santo Daime
doctrine and European neo-shamanism. 9. Witnessing PMA operations: the
activation of archetypes in [neo]shamanic practices. 10. Arts and
psychosis: Comprehending PMA expressions in their association. 11.
Interpreting PMA in artistic creations: primary metaphors on canvases.
Conclusion to Part II. Part III - Affects, image schematic compounds, and
patterns of behaviour - Links between body, concept, and culture. 12.
Conclusions: Understanding affective, non-verbal matrices of the making of
meaning. 13. Further research.
1. Introduction to the understanding of archetypal constellations through
the lens of Primordial Mental Activity. Part I How discussing the
structure, affective charging, and functioning of the body within the
occurrence of archetypal constellations can support the developmental view
of archetypes. 2. Exploring the origins of symbolic thinking: the
intelligibility of the sensing and feeling brain. 3. PMA (Primordial Mental
Activity): The affective-somatic unconscious. 4. Archetypal imagery as
mainly channelled by mental representations that mediate the here-now from
partial simulations of the past, awakening or reliving the affectivity that
marked it, and the background cognitive capacity that (by then) targeted
its metabolisation. 5. Affects, sounds, images, and actions: addressing the
developmental formation and activation of archetypes through the
consideration of image-schemas and PMA. 6. The comparison of PMA to the
fantasy-thinking mind. Conclusion to Part I. Part II - Impressions and
expressions of the body's mind in mystical experiences and Arts. 7.
Proximities and distances between mental illness and mysticism. 8. Mystical
experiences of the Ayahuasca consumption - the Brazilian Santo Daime
doctrine and European neo-shamanism. 9. Witnessing PMA operations: the
activation of archetypes in [neo]shamanic practices. 10. Arts and
psychosis: Comprehending PMA expressions in their association. 11.
Interpreting PMA in artistic creations: primary metaphors on canvases.
Conclusion to Part II. Part III - Affects, image schematic compounds, and
patterns of behaviour - Links between body, concept, and culture. 12.
Conclusions: Understanding affective, non-verbal matrices of the making of
meaning. 13. Further research.
the lens of Primordial Mental Activity. Part I How discussing the
structure, affective charging, and functioning of the body within the
occurrence of archetypal constellations can support the developmental view
of archetypes. 2. Exploring the origins of symbolic thinking: the
intelligibility of the sensing and feeling brain. 3. PMA (Primordial Mental
Activity): The affective-somatic unconscious. 4. Archetypal imagery as
mainly channelled by mental representations that mediate the here-now from
partial simulations of the past, awakening or reliving the affectivity that
marked it, and the background cognitive capacity that (by then) targeted
its metabolisation. 5. Affects, sounds, images, and actions: addressing the
developmental formation and activation of archetypes through the
consideration of image-schemas and PMA. 6. The comparison of PMA to the
fantasy-thinking mind. Conclusion to Part I. Part II - Impressions and
expressions of the body's mind in mystical experiences and Arts. 7.
Proximities and distances between mental illness and mysticism. 8. Mystical
experiences of the Ayahuasca consumption - the Brazilian Santo Daime
doctrine and European neo-shamanism. 9. Witnessing PMA operations: the
activation of archetypes in [neo]shamanic practices. 10. Arts and
psychosis: Comprehending PMA expressions in their association. 11.
Interpreting PMA in artistic creations: primary metaphors on canvases.
Conclusion to Part II. Part III - Affects, image schematic compounds, and
patterns of behaviour - Links between body, concept, and culture. 12.
Conclusions: Understanding affective, non-verbal matrices of the making of
meaning. 13. Further research.