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What principles connect-and what distinctions separate-&quote;The Love Song of J. Alfred Prufrock,&quote; The Waste Land, and Four Quartets?The thought-tormented characters in T. S. Eliot's early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot's Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford…mehr

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What principles connect-and what distinctions separate-"e;The Love Song of J. Alfred Prufrock,"e; The Waste Land, and Four Quartets?The thought-tormented characters in T. S. Eliot's early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot's Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles-dialectic and relativism-constitute the basis of a continual reshaping of Eliot's imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot's poetry in three blocks, each represented by a signature masterpiece: "e;The Love Song of J. Alfred Prufrock,"e; The Waste Land, and Four Quartets. She correlates these works with stages in the poet's intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive-moving from texts to theories-and comparative-juxtaposing the evolution of Eliot's mind as reflected in his philosophical prose and the evolution of style as seen in his poetry-Brooker integrates cultural and biographical contexts. The first book to read Eliot's poems alongside all of his prose and letters, T. S. Eliot's Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.

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Autorenporträt
Jewel Spears Brooker, Professor Emerita of Literature at Eckerd College, is the author or editor of ten books, including T. S. Eliot's Dialectical Imagination (2018), T. S. Eliot: The Contemporary Reviews (2004), Mastery and Escape: T. S. Eliot and the Dialectic of Modernism (1994), Reading 'The Waste Land': Modernism and the Limits of Interpretation (1990, coauthored with Joseph Bentley), T. S. Eliot and Our Turning World (2000), The Placing of T. S. Eliot (1991), and Approaches to Teaching Eliot's Poetry and Plays (1988). She has received fellowships from the National Endowment for the Humanities, Knight Foundation, and Pew Charitable Trust. She has served as president of the T. S. Eliot Society and the South Atlantic Modern Language Association and as a member of the National Humanities Council of the National Endowment for the Humanities. She is a coeditor of Volume 1 of The Complete Prose, The Apprentice Years, 1905-1918.