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Elena Salamanca's TAL VEZ MONSTRUOS Fragmentos de [INCOGNITA FLORA CUSCATLANICA] / MONSTERS MAYBE Fragments from [INCOGNITA FLORA CUSCATLANICA] is an excerpt from a book-length poem that explores the intersection between ecology, colonial violence, personal memory, family-ancestral knowledge, and place. Written from a historian's eye for research and detail, Salamanca weaves poetic language to explore colonial practices that led to ecological devastations in El Salvador communities and across South America. Through this exploration, the author uplifts the fragility of wildflowers and…mehr
Elena Salamanca's TAL VEZ MONSTRUOS Fragmentos de [INCOGNITA FLORA CUSCATLANICA] / MONSTERS MAYBE Fragments from [INCOGNITA FLORA CUSCATLANICA] is an excerpt from a book-length poem that explores the intersection between ecology, colonial violence, personal memory, family-ancestral knowledge, and place. Written from a historian's eye for research and detail, Salamanca weaves poetic language to explore colonial practices that led to ecological devastations in El Salvador communities and across South America. Through this exploration, the author uplifts the fragility of wildflowers and transforms their survival as vessels of environmental memory. TAL VEZ MONSTRUOS / MONSTERS MAYBE is a poetic revelation of wonder and possibilities, of metiers that might have existed in complex forms before the time of wars and colonization, masterfully translated by Ryan Greene.
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Elena Salamanca is a writer and historian from El Salvador currently living in Mexico. She has published La familia o el olvido (2017 and 2018), Peces en la boca (2013 and 2011), Landsmoder (2022 and 2012), and Último viernes (2008). Her most recent books, Claudia Lars: La niña que vio una salamandra (2020) and Prudencia Ayala: La niña con pájaros en la cabeza (2021) are the first two volumes of her "Colección Siemprevivas" series dedicated to the stories of more than 40 women who were born or lived in El Salvador between the 18th and 20th centuries. Her work has been translated into English, French, German, and Swedish. Since 2009, she has combined literature, performance, memory, and politics in public space. She is a doctorate candidate in History from the Colegio de México, and her thesis investigates the relationships between Central American unity, citizenship, and exile. She earned her master's in History from El Colegio de México (2016) and the Universidad de Huelva, Spain (2013).
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