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Teaching Creative Writing in Canada maps the landscape of Creative Writing programmes across Canada. This authoritative volume offers an important national perspective on contemporary and timeless issues in Creative Writing pedagogy and their varied treatment in Canada.
Teaching Creative Writing in Canada maps the landscape of Creative Writing programmes across Canada. This authoritative volume offers an important national perspective on contemporary and timeless issues in Creative Writing pedagogy and their varied treatment in Canada.
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Autorenporträt
Darryl Whetter is Professor of English Literature and Creative Writing at Université Sainte-Anne, Canada. He is the author of four books of fiction and three poetry collections, including the climate-crisis novel Our Sands (2020). He is also the editor of The Best Asian Short Stories 2022 (2023) and Teaching Creative Writing in Asia (2021).
Inhaltsangabe
Introduction: On Teaching Creative Writing in Canada without Teaching "How to Make Love in a Canoe" Part I Workshopping the (Canadian) Workshop 1. Can'tLit: (Anglophone) Canada's Anomalous Disinterest in Creative Writing Doctoral Programs 2. The (Funding) Stories We Tell: Faculty Creative Writing as Nationally Funded University Research 3. Can the Workshop Be Saved? Notes from a Writing-School Dropout-and Former Department Chair 4. Origin Stories, Watersheds and Gendered Politics: On Launching a New Creative Writing MFA 5. Postcards from the Edge: On Launching Canada's Most Recent MFA Creative Writing Program from a School of Journalism 6. Why, and How, Literary Prizes Matter 7. Supporting First-Time Workshop Leaders in Large Introductory Courses Part II The Canadian CW Playground: Writing-as-Knowing (in Canada and beyond) 8. Poetry as Play: Teaching Poetry to Not-Yet-Poets 9. A Writer in Art School: Fostering Interdisciplinary Experiences in Postsecondary Art & Design Education 10. In Tranquillity: Writing through and beyond Ekphrasis 11. Listening Out and In 12. Generous Writing: Teaching the Avant-Garde Part III Letters Home 13. MFA vs. NYC vs. MBA 14. From the Pool to the Page: What Coaching Swimming Taught Me about Teaching Creative Writing 15. The Climate Crisis in the Creative Writing Classroom 16. Shaggy Dog Queer Comedies, Handshake Deals and Speaking Back to Power: An Interview with Multi-Genre, LBGTIQA+ Writer Prof. Natalie Meisner Index
Introduction: On Teaching Creative Writing in Canada without Teaching "How to Make Love in a Canoe" Part I Workshopping the (Canadian) Workshop 1. Can'tLit: (Anglophone) Canada's Anomalous Disinterest in Creative Writing Doctoral Programs 2. The (Funding) Stories We Tell: Faculty Creative Writing as Nationally Funded University Research 3. Can the Workshop Be Saved? Notes from a Writing-School Dropout-and Former Department Chair 4. Origin Stories, Watersheds and Gendered Politics: On Launching a New Creative Writing MFA 5. Postcards from the Edge: On Launching Canada's Most Recent MFA Creative Writing Program from a School of Journalism 6. Why, and How, Literary Prizes Matter 7. Supporting First-Time Workshop Leaders in Large Introductory Courses Part II The Canadian CW Playground: Writing-as-Knowing (in Canada and beyond) 8. Poetry as Play: Teaching Poetry to Not-Yet-Poets 9. A Writer in Art School: Fostering Interdisciplinary Experiences in Postsecondary Art & Design Education 10. In Tranquillity: Writing through and beyond Ekphrasis 11. Listening Out and In 12. Generous Writing: Teaching the Avant-Garde Part III Letters Home 13. MFA vs. NYC vs. MBA 14. From the Pool to the Page: What Coaching Swimming Taught Me about Teaching Creative Writing 15. The Climate Crisis in the Creative Writing Classroom 16. Shaggy Dog Queer Comedies, Handshake Deals and Speaking Back to Power: An Interview with Multi-Genre, LBGTIQA+ Writer Prof. Natalie Meisner Index
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