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Romanticism is taught at universities across the globe and is considered integral to the study of British and European literature. This book, written by leading academics, presents innovative, practical approaches to teaching traditional and newer aspects of the curriculum and is essential to anyone teaching Romanticism at university level.
Romanticism is taught at universities across the globe and is considered integral to the study of British and European literature. This book, written by leading academics, presents innovative, practical approaches to teaching traditional and newer aspects of the curriculum and is essential to anyone teaching Romanticism at university level.
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Autorenporträt
STEPHEN C. BEHRENDT George Holmes Distinguished University Professor of English, University of Nebraska, USA SALLY BUSHELL Senior Lecturer and Co-Director of The Wordsworth Centre, Department of English and Creative Writing, Lancaster University, UK BRYCCHAN CAREY Reader in English Literature, Kingston University, UK SUE CHAPLIN Senior Lecturer in English, Leeds Metropolitan University, UK STEVE CLARK Visiting Professor, Graduate School of Humanities and Sociology, University of Tokyo, Japan THOMAS C. CROCHUNIS Assistant Professor of English, Shippensburg University, Pennsylvania, USA JOHN GOODRIDGE Professor of English, Nottingham Trent University, UK HARRIET KRAMER LINKIN Professor of English Literature, New Mexico State University, USA MURRAY PITTOCK Bradley Professor of English Literature, University of Glasgow, UK MASASHI SUZUKI Professor of English, Kyoto University, Japan SOPHIE THOMAS Associate Professor of English, Ryerson University, Toronto, Canada SARAH WOOTTON Lecturer in English Studies, Durham University, UK
Inhaltsangabe
Contents List of Illustrations Acknowledgements Series Preface Notes on the Contributors Chronology Introduction; D.Higgins & S.Ruston PART I: THE CHANGING CANON Scottish, Irish and Welsh Romanticism; M.Pittock Romantic Theatre; T.C.Crochunis Labouring-Class Poetry; J.Goodridge European Romanticism; D.Higgins Gender and Sexuality; S.Ruston Slavery, Empire, Race; B.Carey PART II: APPROACHES TO TEACHING ROMANTICISM Teaching Romanticism and Visual Culture; S.Thomas Teaching Wordsworth in the Lakes: The Literary Field Trip; S.Bushell Teaching Romanticism with ICT; S.C.Behrendt Close Reading Romanticism; S.Wootton Theorising Romanticism; S.Chaplin Postgraduate Study of Romanticism in the UK, US, and Canada: Posting and Positing a Twenty-First Century Romanticism; H.K.Linkin Teaching Romanticism in Japan; S.Clark & M.Suzuki Guide to Further Reading
Contents List of Illustrations Acknowledgements Series Preface Notes on the Contributors Chronology Introduction; D.Higgins & S.Ruston PART I: THE CHANGING CANON Scottish, Irish and Welsh Romanticism; M.Pittock Romantic Theatre; T.C.Crochunis Labouring-Class Poetry; J.Goodridge European Romanticism; D.Higgins Gender and Sexuality; S.Ruston Slavery, Empire, Race; B.Carey PART II: APPROACHES TO TEACHING ROMANTICISM Teaching Romanticism and Visual Culture; S.Thomas Teaching Wordsworth in the Lakes: The Literary Field Trip; S.Bushell Teaching Romanticism with ICT; S.C.Behrendt Close Reading Romanticism; S.Wootton Theorising Romanticism; S.Chaplin Postgraduate Study of Romanticism in the UK, US, and Canada: Posting and Positing a Twenty-First Century Romanticism; H.K.Linkin Teaching Romanticism in Japan; S.Clark & M.Suzuki Guide to Further Reading
Rezensionen
'Teaching Romanticism is intelligently divided into thematic essays ('new approaches') and case studies in teaching practice. It is most impressive as a compendium of pedagogical experience and constitutes an invaluable source of ideas for anyone faced with the prospect of developing a new module on British Romantic period literature. What emerges from the editors' overview, and from the volume as a whole, is an optimistic, research-led teaching culture, which has benefited from the variousness and curiosity of historicism, and which is open to considerations of gender, class, nationality, marginalised writers and cultures, and interdisciplinarity...' - Anthony Howe, Birmingham City University, British Association for Romantic Studies
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