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Focusing on Shakespeare and his contemporaries, these original essays by leading scholars explore how theatrical, aesthetic, and linguistic forms engage early modern experiences of temporality. Encompassing comedy, tragedy, history, and romance, some contributions consider how different models of pastness, presentness, sequentiality, memory, and historical meaning underwrite particular representational practices. Others, conversely, investigate how aesthetic forms afforded diverse ways for early-modern people to understand or experience time - and how this can impact us today.
Focusing on Shakespeare and his contemporaries, these original essays by leading scholars explore how theatrical, aesthetic, and linguistic forms engage early modern experiences of temporality.
Encompassing comedy, tragedy, history, and romance, some contributions consider how different models of pastness, presentness, sequentiality, memory, and historical meaning underwrite particular representational practices. Others, conversely, investigate how aesthetic forms afforded diverse ways for early-modern people to understand or experience time - and how this can impact us today.
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Autorenporträt
Lauren Shohet is Luckow Family Professor of English at Villanova University, USA and the author of Reading Masques: The English Masque and Public Culture in the Seventeenth Century (2010). Her writing on early modern poetry, drama, and form has focused on Milton, Marvell, Jonson, and Shakespeare, appearing in such journals as Poetics Today, Milton Studies, Shakespeare Studies, the Journal of Early Modern Cultural Studies, and the Yearbook of English Studies. She is coeditor of Gathering Force: British Literature in Transition 1557-1623 and of the first volume of the forthcoming three-volume British Literature in Transition 1557-1680 (general editor Stephen Dobranski, 2017). She has held fellowships and appointments from the National Endowment for the Humanities (USA), the Folger Shakespeare Library, the Huntington Library, and Freiburg Institute of Advanced Studies (Germany).
Inhaltsangabe
List of Illustrations Notes on Contributors Acknowlegements Note on Texts 1. Introduction: Forms of Time (Lauren Shohet Villanova University USA) Part One: Illuminating 2. Shakespeare's theater of comic time (Kent Cartwright University of Maryland College Park USA) 3. Suspense Revisited: The Shared Experience of Time (Raphael Falco University of Maryland USA) 4. "In the Course and Process of Time": Rupture Reflection and Repetition in Henry VIII (Philip Lorenz Cornell University USA) Part Two: Synthesizing 5. Is Henry V still a history play? (Andrew Griffin University of California Santa Barbara USA) 6. Allusion Temporality and Genre in Pericles and Troilus and Cressida (Lauren Shohet Villanova University USA) Part Three: Misaligning 7. Love's Labours Lost and the Layered Temporality of Poetic Reception (Matthew Harrison Albion College USA) 8. Timing The Knight of the Burning Pestle: Genre Style and Performance (Lucy Munro King's College London UK) 9. Time Tragedy and the Text of Antony and Cleopatra (Rebecca Bushnell University of Pennsylvania USA) Part Four: Proliferating 10. "The Death of Fathers": Succession and Diachronic Time in Shakespearean Tragedy (William C. Carroll Boston University USA) 11. Passionate Time in Elizabeth Cary's The Tragedy of Mariam (Lara Dodds University of Mississippi USA) 12. Future Histories in King Lear (Meredith Beales University of Victoria Canada) Part Five: Pleating 13. Last Judgement to Leviathan: The Semiotics of Collective Temporality in Early Modern England (Robin Scott Stewart University of California Irvine USA) 14. Cymbeline Janus and Folded Time (Valerie Wayne University of Hawaii USA) Notes Index
List of Illustrations Notes on Contributors Acknowlegements Note on Texts 1. Introduction: Forms of Time (Lauren Shohet Villanova University USA) Part One: Illuminating 2. Shakespeare's theater of comic time (Kent Cartwright University of Maryland College Park USA) 3. Suspense Revisited: The Shared Experience of Time (Raphael Falco University of Maryland USA) 4. "In the Course and Process of Time": Rupture Reflection and Repetition in Henry VIII (Philip Lorenz Cornell University USA) Part Two: Synthesizing 5. Is Henry V still a history play? (Andrew Griffin University of California Santa Barbara USA) 6. Allusion Temporality and Genre in Pericles and Troilus and Cressida (Lauren Shohet Villanova University USA) Part Three: Misaligning 7. Love's Labours Lost and the Layered Temporality of Poetic Reception (Matthew Harrison Albion College USA) 8. Timing The Knight of the Burning Pestle: Genre Style and Performance (Lucy Munro King's College London UK) 9. Time Tragedy and the Text of Antony and Cleopatra (Rebecca Bushnell University of Pennsylvania USA) Part Four: Proliferating 10. "The Death of Fathers": Succession and Diachronic Time in Shakespearean Tragedy (William C. Carroll Boston University USA) 11. Passionate Time in Elizabeth Cary's The Tragedy of Mariam (Lara Dodds University of Mississippi USA) 12. Future Histories in King Lear (Meredith Beales University of Victoria Canada) Part Five: Pleating 13. Last Judgement to Leviathan: The Semiotics of Collective Temporality in Early Modern England (Robin Scott Stewart University of California Irvine USA) 14. Cymbeline Janus and Folded Time (Valerie Wayne University of Hawaii USA) Notes Index
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