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Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. The Act of Documenting addresses what this means for documentary's 21st century position as a genus in the "class" cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; for its future in a world where assumptions of photographic image integrity cannot be sustained. Unpacked are distinctions between…mehr
Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. The Act of Documenting addresses what this means for documentary's 21st century position as a genus in the "class" cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; for its future in a world where assumptions of photographic image integrity cannot be sustained. Unpacked are distinctions between performance and performativy and between different levels of interaction, linearity and hypertextuality, engagement and impact, ethics and conditions of reception. Winston, Vanstone and Wang Chi explore and celebrate documentary's potentials in the digital age.
Brian Winston was a leading figure in British media studies. He was Professor of Communications and Lincoln Chair at the University of Lincoln, UK. He held senior academic posts at UK National Film and Television School, New York University, Pennsylvania State University, the University of Wales (Cardiff), and Westminster University. He authored and edited over 20 books, including Claiming the Real: The Documentary Film Revisited (British Film Institute, 1995), Technologies of Seeing: Photography, Cinema and Television (British Film Institute, 1996), Fires Were Started- (BFI Film Classics, 1999), and A Right to Offend (Bloomsbury Academic, 2012).
Inhaltsangabe
AN AGENDA 1. "A Much Hailed Triumph" 2. "The Shakiest of Foundations" 3. The Act of Documenting PART ONE: DIGITAL POTENTIALS 1. "A Walk in the Woods" Image: AUTHENTICITY: Indexing Evidence TRUST: Manipulation Judgment SAVVY: Inferences Probability 2. "A breath of fresh air for documentary" Kit: CONTRADICTION: Digitization Standards GLOBALIZATIONi: Proliferation Resistance 3. "Life as narrativized" Story: INTERPASSIVITY: Navigation Feedback Intervention HOMO NARRANS: Texts Stories SCRIPTRIX NARRANS: Challenge Paths PART TWO: ACTUAL EFFECTS.. .. on THE FILMED 4. "To thine own self be true" Performing: APPEARING: Distrust Presentational Acting Representational Being BEHAVING: Performativity Casting 5. "Giving Voice" Co creating: CONTROL: Engagement Empowerment CHANGE: Facilitating Embedding .. on THE FILMER 6. "To Make Space For The Un Thought" Subjectivities: GENDER: Narcissism Auto/Biography EMANCIPATION: Exclusions "Facts" 7. "Nous somme dans le bain"/"We are implicated" Care: HARM: Involvement Consequences RIGHTS: Protocols Control .. on THE SPECTATOR 8. "You have to make up your own mind" Perception: EXPECTATIONS: Truth Omission ASSUMPTONS: Wow! Ostranenie 9. "When the lights go up" Reception OUTCOMES: Impact Engagement Research CONDITIONS: Autonomy Hazards MINUTES: THE ACT OF DOCUMENTING Considerations
AN AGENDA 1. "A Much Hailed Triumph" 2. "The Shakiest of Foundations" 3. The Act of Documenting PART ONE: DIGITAL POTENTIALS 1. "A Walk in the Woods" Image: AUTHENTICITY: Indexing Evidence TRUST: Manipulation Judgment SAVVY: Inferences Probability 2. "A breath of fresh air for documentary" Kit: CONTRADICTION: Digitization Standards GLOBALIZATIONi: Proliferation Resistance 3. "Life as narrativized" Story: INTERPASSIVITY: Navigation Feedback Intervention HOMO NARRANS: Texts Stories SCRIPTRIX NARRANS: Challenge Paths PART TWO: ACTUAL EFFECTS.. .. on THE FILMED 4. "To thine own self be true" Performing: APPEARING: Distrust Presentational Acting Representational Being BEHAVING: Performativity Casting 5. "Giving Voice" Co creating: CONTROL: Engagement Empowerment CHANGE: Facilitating Embedding .. on THE FILMER 6. "To Make Space For The Un Thought" Subjectivities: GENDER: Narcissism Auto/Biography EMANCIPATION: Exclusions "Facts" 7. "Nous somme dans le bain"/"We are implicated" Care: HARM: Involvement Consequences RIGHTS: Protocols Control .. on THE SPECTATOR 8. "You have to make up your own mind" Perception: EXPECTATIONS: Truth Omission ASSUMPTONS: Wow! Ostranenie 9. "When the lights go up" Reception OUTCOMES: Impact Engagement Research CONDITIONS: Autonomy Hazards MINUTES: THE ACT OF DOCUMENTING Considerations
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