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"Pretty, charming, but impoverished Sally Nicholas' humdrum life is turned upside down when fate decides to step in. In this breezy, romantic comedy, PG Wodehouse delights readers with his portrayal of a charming young American girl who unexpectedly inherits a fortune which changes her life forever. The story follows Sally's fortunes and is told in Wodehouse's typical humorous style and keeps the reader thoroughly entertained to the very end.First published in 1921 as a serial in Collier's Magazine in the US and in 1922 in the Grand Magazine, UK it appeared in book form titled Mostly Sally in…mehr

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Produktbeschreibung
"Pretty, charming, but impoverished Sally Nicholas' humdrum life is turned upside down when fate decides to step in. In this breezy, romantic comedy, PG Wodehouse delights readers with his portrayal of a charming young American girl who unexpectedly inherits a fortune which changes her life forever. The story follows Sally's fortunes and is told in Wodehouse's typical humorous style and keeps the reader thoroughly entertained to the very end.First published in 1921 as a serial in Collier's Magazine in the US and in 1922 in the Grand Magazine, UK it appeared in book form titled Mostly Sally in 1922.Sally lives with her brother Fillmore in a cheap boarding house and works as a taxi dancer to earn her living. She is on the verge of getting engaged to a budding playwright, Gerald Foster. The story opens with Sally throwing a party to celebrate her good luck. The guests are fellow boarders and each one of them has a suggestion on how to use the money. Fillmore, who has become even more proud and pompous after coming into wealth, is an unattractive specimen who is not above a bit of skating on thin ice in financial matters at the firm where he works. He also nurses theatrical ambitions. Sally decides to enjoy her good luck and spend her money on an extended holiday in France, where she meets a host of interesting characters. Among them are the bucolic yet steadfast pugilist, Ginger Kemp, and his debonair cousin, the suave Bruce Carmyle.How Sally finds true love and happiness forms the rest of the story, which takes some enjoyable detours to arrive at its conclusion. Filled with lots of confusion and mistaken identity, laughs and some tears, this is an entrancing read, especially for Wodehouse fans. The cute and vivacious Sally makes a memorable and lovable heroine and the reader is easily drawn into her adventures. This is a story that appeals to readers of all ages. Pretty, charming, but impoverished Sally Nicholas' humdrum life is turned upside down when fate decides to step in. In this breezy, romantic comedy, PG Wodehouse delights readers with his portrayal of a charming young American girl who unexpectedly inherits a fortune which changes her life forever. The story follows Sally's fortunes and is told in Wodehouse's typical humorous style and keeps the reader thoroughly entertained to the very end."

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Autorenporträt
Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).