The Allemande for L’Art de toucher le clavecin (fixed-layout eBook, ePUB)
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The first musical composition from the famous treatise by F. Couperin: an analytical compendium of its functions and hermeneutical hypothesis. A work that is seemingly minor and yet is key to understanding the French harpsichord repertoire of the period. Massimo Salcito A tenured professor at the Conservatorio di Musica “Luisa D’Annunzio” (Pescara), Massimo Salcito teaches Harpsichord and historical keyboards. He coordinated the Couperin Project in 2016/17, and is currently studying viola da gamba at the Conservatorio di Musica “Alfredo Casella” (L’Aquila). ...
The first musical composition from the famous treatise by F. Couperin: an analytical compendium of its functions and hermeneutical hypothesis. A work that is seemingly minor and yet is key to understanding the French harpsichord repertoire of the period.
Massimo Salcito
A tenured professor at the Conservatorio di Musica “Luisa D’Annunzio” (Pescara), Massimo Salcito teaches Harpsichord and historical keyboards. He coordinated the Couperin Project in 2016/17, and is currently studying viola da gamba at the Conservatorio di Musica “Alfredo Casella” (L’Aquila).
1716/17 – 2016/17:
FRANÇOIS COUPERIN
L’ART DE TOUCHER LE CLAVECIN
THIRD CENTENARY OF THE PRINT EDITION
1
Massimo Salcito
A tenured professor at the Conservatorio di Musica “Luisa D’Annunzio” (Pescara), Massimo Salcito teaches Harpsichord and historical keyboards. He coordinated the Couperin Project in 2016/17, and is currently studying viola da gamba at the Conservatorio di Musica “Alfredo Casella” (L’Aquila).
1716/17 – 2016/17:
FRANÇOIS COUPERIN
L’ART DE TOUCHER LE CLAVECIN
THIRD CENTENARY OF THE PRINT EDITION
1
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