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The Archaeology of Art introduces students to the analysis of visual expression in the archaeological record and charts a fresh prospectus for the study of archaeological art. The topic intercuts almost all areas of archaeological enquiry but is often divided up into disciplinary sub-fields which rarely engage with one another. One of the key arguments of this book is the call for a distinctive 'archaeology of art' based upon key archaeological interpretative principles as opposed to those borrowed from anthropology or art history.

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Produktbeschreibung
The Archaeology of Art introduces students to the analysis of visual expression in the archaeological record and charts a fresh prospectus for the study of archaeological art. The topic intercuts almost all areas of archaeological enquiry but is often divided up into disciplinary sub-fields which rarely engage with one another. One of the key arguments of this book is the call for a distinctive 'archaeology of art' based upon key archaeological interpretative principles as opposed to those borrowed from anthropology or art history.


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Autorenporträt
Andrew Meirion Jones is Professor of Archaeology, University of Southampton, UK. He has both taught and written extensively on the archaeology of art, particularly prehistoric rock art. His most recent books include 'An Animate Landscape' (Windgather, 2011), 'Prehistoric Materialities' (OUP, 2012) and 'Archaeology after Interpretation (Left Coast Press, 2013) edited with Ben Alberti and Josh Pollard. He is currently completing a Leverhulme funded project using digital imaging to examine the remarkable art of Neolithic Britain and Ireland.

Andrew Cochrane is a Lecturer in Archaeology, Cardiff University, and Fellow of the Society of Antiquaries. Previously, he was Project Curator at British Museum, and worked on several major exhibitions, including The Power of Dogu (British Museum: 2009), unearthed (Sainsbury Centre for Visual Arts: 2010), and Ice Age Art (British Museum: 2013). His most recent books include: 'Visualising the Neolithic' (Oxbow Press, 2012) edited with Andrew Jones, and 'Art and Archaeology' (Springer, 2014) edited with Ian Russell.