Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
This book explains the broader context of what the art and craft of motion picture editing entails, framing the creative acts of editing within an overall view of the production process and requirements for effective storytelling.
This book explains the broader context of what the art and craft of motion picture editing entails, framing the creative acts of editing within an overall view of the production process and requirements for effective storytelling.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Michael Hoggan is the former President of the American Cinema Editors and currently a professor of film production and editing at California State University, Northridge. He has an extensive body of professional work from more than three decades as an editor, writer, producer, and director. He has received ACE Eddie and Emmy nominations, including Best Editing for Miami Vice and Homefront.
Inhaltsangabe
1. Snapshot of the Invisible Artist 2. Motion Picture Editor and the Story (the Script) 3. The Motion Picture Editor / Director Partnership 4. The Motion Picture Editor and the Actor's Performance 5. The Motion Picture Editor and Cinematographer 6. Overview of the Editing Process 7. Narratives Editing: Principles and Techniques - Film Editing "Rules" 8. Forming the "Editor's Cut," Its Creative Opportunities 9. The Motion Picture Editor and Sound Design 10. The Motion Picture Editor and the Audience Appendix: Film Production's Historical Timeline About the Author
1. Snapshot of the Invisible Artist 2. Motion Picture Editor and the Story (the Script) 3. The Motion Picture Editor / Director Partnership 4. The Motion Picture Editor and the Actor's Performance 5. The Motion Picture Editor and Cinematographer 6. Overview of the Editing Process 7. Narratives Editing: Principles and Techniques - Film Editing "Rules" 8. Forming the "Editor's Cut," Its Creative Opportunities 9. The Motion Picture Editor and Sound Design 10. The Motion Picture Editor and the Audience Appendix: Film Production's Historical Timeline About the Author
1. Snapshot of the Invisible Artist 2. Motion Picture Editor and the Story (the Script) 3. The Motion Picture Editor / Director Partnership 4. The Motion Picture Editor and the Actor's Performance 5. The Motion Picture Editor and Cinematographer 6. Overview of the Editing Process 7. Narratives Editing: Principles and Techniques - Film Editing "Rules" 8. Forming the "Editor's Cut," Its Creative Opportunities 9. The Motion Picture Editor and Sound Design 10. The Motion Picture Editor and the Audience Appendix: Film Production's Historical Timeline About the Author
1. Snapshot of the Invisible Artist 2. Motion Picture Editor and the Story (the Script) 3. The Motion Picture Editor / Director Partnership 4. The Motion Picture Editor and the Actor's Performance 5. The Motion Picture Editor and Cinematographer 6. Overview of the Editing Process 7. Narratives Editing: Principles and Techniques - Film Editing "Rules" 8. Forming the "Editor's Cut," Its Creative Opportunities 9. The Motion Picture Editor and Sound Design 10. The Motion Picture Editor and the Audience Appendix: Film Production's Historical Timeline About the Author
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
