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'The Art and Ideology of the Trade Union Emblem, 18501925' is a ground-breaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal. The volume celebrates working-class culture and shows how it could be both innovative and derivative. Annie Ravenhill-Johnson's exploration of the artistry of the emblems the art of and for the toiling masses sets these images of labour in their historical, cultural and ideological context. Her…mehr
'The Art and Ideology of the Trade Union Emblem, 18501925' is a ground-breaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal. The volume celebrates working-class culture and shows how it could be both innovative and derivative. Annie Ravenhill-Johnson's exploration of the artistry of the emblems the art of and for the toiling masses sets these images of labour in their historical, cultural and ideological context. Her introductory chapter explores the re-signification of Greco-Roman, medieval and Renaissance architecture, figures and symbols in the emblem tradition, and analyses how these images served as representations of the developing self-awareness of the growing industrial workforces during the nineteenth and early twentieth centuries. The emblems of organized labour followed the traditions set out by Freemasonry and Friendly Societies that had adopted and adapted classical, biblical and medieval depictions of crafts and craftsmen to illustrate the antiquity of their trade and to lend solemnity and legitimacy to the tradition of forming associations for protection and benefits. Renaissance art, architecture and sculpture, the conventions of landscape painting and the more prestigious genres of mythical and biblical subjects all provided settings and structures that sanitized working conditions and idealized the workers themselves.
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Autorenporträt
Annie Ravenhill-Johnson, edited by Paula James
Inhaltsangabe
Preface Acknowledgements About the Authors List of Plates Introduction Chapter 1: The Genre Chapter 2: The Emblem within the Emblem Chapter 3: Depicting the Worker Chapter 4: James Sharples and His Legacy Chapter 5: The Development of the Architecture of the Emblem Chapter 6: Arthur John Waudby and the Symbols of Freemasonry Chapter 7: Men, Myths and Machines Chapter 8: The Classical Woman Chapter 9: Walter Crane Chapter 10: The Art of Copying Conclusion: Reprise and Review Notes Glossary Bibliography Index
Preface Acknowledgements About the Authors List of Plates Introduction Chapter 1: The Genre Chapter 2: The Emblem within the Emblem Chapter 3: Depicting the Worker Chapter 4: James Sharples and His Legacy Chapter 5: The Development of the Architecture of the Emblem Chapter 6: Arthur John Waudby and the Symbols of Freemasonry Chapter 7: Men, Myths and Machines Chapter 8: The Classical Woman Chapter 9: Walter Crane Chapter 10: The Art of Copying Conclusion: Reprise and Review Notes Glossary Bibliography Index
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