Ana Clavel is a remarkable contemporary Mexican writer whose literary and multimedia oeuvre is marked by its queerness
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Autorenporträt
Jane Elizabeth Lavery
Inhaltsangabe
Introduction: Ana Clavel and the Boom Femenino: Continuities and Queer Disruptions 1. Outlaw' Sexualities and Desires in Ana Clavel's Short Fiction 2. Los deseos y su sombra: Truth, (Ghostly) Selves, and (Multimedia) Luminous Shadows 3. Cuerpo náufrago: Gender Troubling, Queer Desires, and Fantastical (Dis)embodiments 4. Cuerpo náufrago: Genre Troubling: Viscerality and Urinals as Textual and Visual Markers of Disruption 5. Cuerpo náufrago: Beyond Text: Intermediality, Inter/Hypertextuality, and Proyecto multimedia 6. Las Violetas son flores del deseo: Outer-Circle 'Perversities', Hyperreal Golema Dolls, and Textuality 7. Las Violetas son flores del deseo: Peritextuality and Reader-Spectator Complicities 8. Las Violetas son flores del deseo: Multitextuality: (Cyber) Art Installation, (Performing) Dolls, and (Multi)authorship 9. El dibujante de sombras: The Queering of Truth and a Poetics of Shadows 10. Further Queer Literary and Multimedia Interventions 11. Conclusion: Some Final Thoughts
Introduction: Ana Clavel and the Boom Femenino: Continuities and Queer Disruptions 1. Outlaw' Sexualities and Desires in Ana Clavel's Short Fiction 2. Los deseos y su sombra: Truth, (Ghostly) Selves, and (Multimedia) Luminous Shadows 3. Cuerpo náufrago: Gender Troubling, Queer Desires, and Fantastical (Dis)embodiments 4. Cuerpo náufrago: Genre Troubling: Viscerality and Urinals as Textual and Visual Markers of Disruption 5. Cuerpo náufrago: Beyond Text: Intermediality, Inter/Hypertextuality, and Proyecto multimedia 6. Las Violetas son flores del deseo: Outer-Circle 'Perversities', Hyperreal Golema Dolls, and Textuality 7. Las Violetas son flores del deseo: Peritextuality and Reader-Spectator Complicities 8. Las Violetas son flores del deseo: Multitextuality: (Cyber) Art Installation, (Performing) Dolls, and (Multi)authorship 9. El dibujante de sombras: The Queering of Truth and a Poetics of Shadows 10. Further Queer Literary and Multimedia Interventions 11. Conclusion: Some Final Thoughts
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