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  • Format: ePub

"An excellent mix of the practical and the inspirational... featuring the fantastic, Beardsley-like intricate arabesque designs of the author." -The Papercraft Post Blog Learn how to separate the visual world into positive and negative shapes and design gorgeous images with pattern, texture and impact. A practical section shows step by step how to 'draw with a knife' safely and effectively. Then Jessica provides artistic insights into an inspiring selection of her paper artworks, including silhouettes, portraits, landscapes, fashion images, illustrations, life drawing and more. "Intermediate…mehr

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  • Größe: 32.82MB
Produktbeschreibung
"An excellent mix of the practical and the inspirational... featuring the fantastic, Beardsley-like intricate arabesque designs of the author." -The Papercraft Post Blog Learn how to separate the visual world into positive and negative shapes and design gorgeous images with pattern, texture and impact. A practical section shows step by step how to 'draw with a knife' safely and effectively. Then Jessica provides artistic insights into an inspiring selection of her paper artworks, including silhouettes, portraits, landscapes, fashion images, illustrations, life drawing and more. "Intermediate and advanced artists in search of a fresh technique will find this guide challenging and absorbing." -Library Journal "Here she explains how to see the world through a paper cutter's eyes. It's all about seeing the positive and negative shapes in your subject, so the experience will stand you in good stead if you wish to improve your drawing skills." -The Leisure Painter "Here are dozens of beautiful, inspiring papercuts." -Machine Knitting Monthly

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Autorenporträt
Jessica Palmer studied Illustration at Kingston University. One day, in a life drawing class, an innovative tutor took the charcoal out of her hand, gave her a pair of scissors and said, 'Cut it out!' Her passion for papercutting was born. Her love of detail led her on to using a scalpel to 'draw', as with a pen or pencil. She is now a visiting artist in galleries and museums in London, Bath and Bristol, including the V & A and the National Portrait Gallery. She runs papercutting events linked to exhibitions, and she exhibits in London and the west of England. She has produced commissions, exhibition pieces and book illustrations in the US.