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While some Christians have embraced the relationship between faith and the arts, the Reformed tradition tends to harbor reservations about the arts. However, among Reformed churches, the Neo-Calvinist tradition—as represented in the work of Abraham Kuyper, Herman Dooyeweerd, Hans Rookmaaker, and others—has consistently demonstrated not just a willingness but a desire to engage with all manner of cultural and artistic expressions. This volume, edited by art scholar Roger Henderson and Marleen Hengelaar-Rookmaaker, the daughter of art historian and cultural critic Hans Rookmaaker, brings…mehr
While some Christians have embraced the relationship between faith and the arts, the Reformed tradition tends to harbor reservations about the arts. However, among Reformed churches, the Neo-Calvinist tradition—as represented in the work of Abraham Kuyper, Herman Dooyeweerd, Hans Rookmaaker, and others—has consistently demonstrated not just a willingness but a desire to engage with all manner of cultural and artistic expressions. This volume, edited by art scholar Roger Henderson and Marleen Hengelaar-Rookmaaker, the daughter of art historian and cultural critic Hans Rookmaaker, brings together history, philosophy, and theology to consider the relationship between the arts and the Neo-Calvinist tradition. With affirmations including the Lordship of Christ, the cultural mandate, sphere sovereignty, and common grace, the Neo-Calvinist tradition is well-equipped to offer wisdom on the arts to the whole body of Christ.
Marleen Hengelaar-Rookmaaker is the editor-in-chief of ArtWay. She edited the Complete Works of her father, art historian Hans Rookmaaker. She has also published three books in Dutch as well as many articles about popular music, liturgy, and the visual arts in Dutch and English books and magazines. Roger D. Henderson (PhD, Free University) studied philosophy at UC Berkeley before attending the Free University in Amsterdam, where he studied Herman Dooyeweerd's development. He has taught in both Iowa and the Netherlands and now lives in Berkeley, California.
Inhaltsangabe
Acknowledgments Introduction Roger D. Henderson and Marleen Hengelaar-Rookmaaker Part One: Roots 1. Geneva's Artistic Legacy: From Calvin to Today Marleen Hengelaar-Rookmaaker 2. Calvin and the Arts: Pure Vision or Blind Spot? Adrienne Dengerink Chaplin 3. Rumors of Glory: Abraham Kuyper's Neo-Calvinist Theory of Art Roger D. Henderson 4. Dooyeweerd's Aesthetics Roger D. Henderson Part Two: Art History 5. Art, Meaning, and Truth Hans R. Rookmaaker Looking with Historical Depth: Hugo van der Goes, Filippino Lippi and Albrecht Dürer 6. The Vocation of a Christian Art Historian: Strategic Choices in a Multicultural Context E. John Walford Ridentem dicere verum—Pieter Bruegel's Peasant Wedding of Circa 1567 7. More than Can Be Seen: Tim Rollins and K.O.S.'s I See the Promised Land James Romaine Part Three: Aesthetics 8. The Halo of Human Imaginativity Calvin Seerveld The Meaning of the Crucifixion: Grünewald and Perugino 9. Rethinking Art Nicholas Wolterstorff The Social Protest Meaning of the Graphic Art of Käthe Kollwitz 10. Imagination, Art, and Civil Society: Re-envisioning Reformational Aesthetics Lambert Zuidervaart Redemptive Art Criticism 11. Art, Body, and Feeling: New Roads for Neo-Calvinist Aesthetics Adrienne Dengerink Chaplin Chris Ofili: Contemporary Art and the Return of Religion Part Four: Theology and Art 12. The Theology of Art of Gerardus van der Leeuw and Paul Tillich Wessel Stoker 13. The Elusive Quest for Beauty William Edgar 14. Fifty-Plus Years of Art and Theology: 1970 to Today Victoria Emily Jones Bios of Authors Figure Credits General Index Scripture Index
Acknowledgments Introduction Roger D. Henderson and Marleen Hengelaar-Rookmaaker Part One: Roots 1. Geneva's Artistic Legacy: From Calvin to Today Marleen Hengelaar-Rookmaaker 2. Calvin and the Arts: Pure Vision or Blind Spot? Adrienne Dengerink Chaplin 3. Rumors of Glory: Abraham Kuyper's Neo-Calvinist Theory of Art Roger D. Henderson 4. Dooyeweerd's Aesthetics Roger D. Henderson Part Two: Art History 5. Art, Meaning, and Truth Hans R. Rookmaaker Looking with Historical Depth: Hugo van der Goes, Filippino Lippi and Albrecht Dürer 6. The Vocation of a Christian Art Historian: Strategic Choices in a Multicultural Context E. John Walford Ridentem dicere verum—Pieter Bruegel's Peasant Wedding of Circa 1567 7. More than Can Be Seen: Tim Rollins and K.O.S.'s I See the Promised Land James Romaine Part Three: Aesthetics 8. The Halo of Human Imaginativity Calvin Seerveld The Meaning of the Crucifixion: Grünewald and Perugino 9. Rethinking Art Nicholas Wolterstorff The Social Protest Meaning of the Graphic Art of Käthe Kollwitz 10. Imagination, Art, and Civil Society: Re-envisioning Reformational Aesthetics Lambert Zuidervaart Redemptive Art Criticism 11. Art, Body, and Feeling: New Roads for Neo-Calvinist Aesthetics Adrienne Dengerink Chaplin Chris Ofili: Contemporary Art and the Return of Religion Part Four: Theology and Art 12. The Theology of Art of Gerardus van der Leeuw and Paul Tillich Wessel Stoker 13. The Elusive Quest for Beauty William Edgar 14. Fifty-Plus Years of Art and Theology: 1970 to Today Victoria Emily Jones Bios of Authors Figure Credits General Index Scripture Index
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