9,95 €
9,95 €
inkl. MwSt.
Sofort per Download lieferbar
9,95 €
9,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
Als Download kaufen
9,95 €
inkl. MwSt.
Sofort per Download lieferbar
Jetzt verschenken
9,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
  • Format: ePub

The global economy is a mess. The crash has landed, the tide's swept out, and it's taken our hope with it. There's less in our pockets and more to be spent. The rich have got richer, the middle's squeezed tight, and the poor are being dragged ever downwards.
With the true value of money and the human cost of greed firmly in their sights, Proto-type Theater tell the story of how, in the aftermath of the 2008 economic crash, the nation of Iceland raised their voices in protest and railed against the currents.
Using original text, performance, film, music and animation, The Audit is about
…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 0.82MB
Produktbeschreibung
The global economy is a mess. The crash has landed, the tide's swept out, and it's taken our hope with it. There's less in our pockets and more to be spent. The rich have got richer, the middle's squeezed tight, and the poor are being dragged ever downwards.

With the true value of money and the human cost of greed firmly in their sights, Proto-type Theater tell the story of how, in the aftermath of the 2008 economic crash, the nation of Iceland raised their voices in protest and railed against the currents.

Using original text, performance, film, music and animation, The Audit is about finding strength, overcoming a world designed to keep us docile, and how collective power can move a mountain - even if only a little.
Autorenporträt
Andrew Westerside is co-artistic director of Proto-type Theater, a company of multi-disciplinary artists who have been making and touring original performance work in the UK, the Netherlands, Russia, China, Armenia, France, Zimbabwe and the US since 1997. Critics have called their work 'an intriguing brush with altered reality' (The New York Times) and 'enthralling' (Zambezi News).