Set in the landscape of one vast disposal site containing all the refuse of history, and using the rhetorical conventions of precise, objective, depersonalized scholarly research, the world Serge Lamothe brilliantly creates with this novel of fragments is one of a mysterious ambiguity, haunted by Kafka, Orwell, Gibson and Fukuyama.
This is contemporary prose at its most daring and experimental, creating a post-historical world so devoid of difference that the only imaginable use of language is for the mass production of consent-a world in which a nine-year-old's suicide bombing may well, in fact, constitute the only meaningful act left to The Baldwins: a joyful embrace of the ultimate existential gesture, in which all difference is obliterated, consummated in a martyrdom of innocence on the consensual altar of the morally and politically correct.
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