In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.
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Radical and inspiring . . . Yanagi s vision puts the connection between heart and hand before the transient and commercial. Edmund de Waal, OBE, author of The Hare with Amber Eyes
Soetsu Yanagi s unerring eye has influenced generations of makers. His notion of Zen and the art of design continues to inspire all those involved in shaping our everyday world. Jasper Morrison, British designer
It would not be entirely amiss to describe Yanagi s position in Japan as comparable to that of Ruskin and Morris in England. . . . He left as a legacy an aesthetic and religious creed of vital importance to men and women all over the world. Bernard Leach, British potter
What impresses me most in Yanagi is the strength of his vision, his direct eye for beauty. His was an immediate and intuitive faculty of an extraordinary kind. Shoji Hamada, Japanese potter