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This book is the first rigourous and detailed exploration of exactly how blues singers use formulas to create songs, and gives a step-by-step description of the rules implicit in this formulaic structure which inspires new discussion of lyric structures.
This book is the first rigourous and detailed exploration of exactly how blues singers use formulas to create songs, and gives a step-by-step description of the rules implicit in this formulaic structure which inspires new discussion of lyric structures.
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Autorenporträt
Michael Taft
Inhaltsangabe
Acknowledgements Introduction 1. Defining the Commercial Blues 2. Defining the Blues Formula 3. Fine Adjustments: Extraformulaic Elements in the Blues 4. The Ties that Bind: Formulas to Lines, Lines to Stanzas, Stanzaes to Songs 5. Twenty Common Formulas 6. One Singer's Formulaic Tradition: The Repertoire of Garfield Akers Conclusion: Why is the Blues Formulaic? Singers and Their Songs References Index
Acknowledgements Introduction 1. Defining the Commercial Blues 2. Defining the Blues Formula 3. Fine Adjustments: Extraformulaic Elements in the Blues 4. The Ties that Bind: Formulas to Lines, Lines to Stanzas, Stanzaes to Songs 5. Twenty Common Formulas 6. One Singer's Formulaic Tradition: The Repertoire of Garfield Akers Conclusion: Why is the Blues Formulaic? Singers and Their Songs References Index
Acknowledgements Introduction 1. Defining the Commercial Blues 2. Defining the Blues Formula 3. Fine Adjustments: Extraformulaic Elements in the Blues 4. The Ties that Bind: Formulas to Lines, Lines to Stanzas, Stanzaes to Songs 5. Twenty Common Formulas 6. One Singer's Formulaic Tradition: The Repertoire of Garfield Akers Conclusion: Why is the Blues Formulaic? Singers and Their Songs References Index
Acknowledgements Introduction 1. Defining the Commercial Blues 2. Defining the Blues Formula 3. Fine Adjustments: Extraformulaic Elements in the Blues 4. The Ties that Bind: Formulas to Lines, Lines to Stanzas, Stanzaes to Songs 5. Twenty Common Formulas 6. One Singer's Formulaic Tradition: The Repertoire of Garfield Akers Conclusion: Why is the Blues Formulaic? Singers and Their Songs References Index
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