What Yslea struggles with is expressing her thoughts. And she wonders if she will have something of substance to say to her baby. It's the baby growing inside her that begins to wake her up, that causes her to start thinking about things in a different way.
Yslea drifts into the lives of four people who occupy three dilapidated row houses along the train tracks outside of Memphis: "The way their three little row houses sort of leaned in toward each other and the way the paint peeled and some of the windows were covered with cardboard, the row might as easily have been empty."
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