In classical Chinese Zen painting, nature is large, human presence often nothing more than a tiny hut. In the Tradition of Mountains and Rivers, clarity of vision comes most often with a journey up and out of the world of political intrigues and warfare and pettiness. A similar vision comes through the poetry in The Cabin at the End of the World. But as the 12th-century Zen poet, Ikkyu, also known as Crazy Cloud, writes: one cannot truly experience enlightenment in seclusion. It must happen in the world, in a lover's kiss, in a night of revelry and drinking. Just so, The Cabin at the End of the World explores truth and beauty in the world of people and their lives, and even when we do reach the Mountain and Rivers in the section titled "Windows of the Sea," human remnants, outposts, graves and ghosts still hover close under the surface. Any "escape" is directly confronted and put away. Here in the world we find paradise.
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