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In "The Captives," Hugh Walpole masterfully weaves a narrative that explores the profound complexities of human relationships set against the backdrop of societal expectations and personal ambitions. The prose, characterized by its vivid imagery and psychological depth, delves into the lives of characters who are ensnared by their desires and the constraints of their environments. Walpole'Äôs thematic preoccupations with captivity'Äîboth literal and metaphorical'Äîserve as a reflection of the tumultuous cultural landscape of early 20th-century England, where class dynamics and existential…mehr

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Produktbeschreibung
In "The Captives," Hugh Walpole masterfully weaves a narrative that explores the profound complexities of human relationships set against the backdrop of societal expectations and personal ambitions. The prose, characterized by its vivid imagery and psychological depth, delves into the lives of characters who are ensnared by their desires and the constraints of their environments. Walpole'Äôs thematic preoccupations with captivity'Äîboth literal and metaphorical'Äîserve as a reflection of the tumultuous cultural landscape of early 20th-century England, where class dynamics and existential dilemmas shape individual destinies. Hugh Walpole, a prominent figure in British literature, drew from his experiences and observations of society to craft compelling narratives. His keen interest in the psychological motivations of his characters is evident in this work, possibly reflecting his own grappling with identity and creativity amid the changing tides of modernism. Walpole'Äôs experiences in the literary circles of London, along with his extensive travels, informed his nuanced understanding of the human condition, enabling him to depict his characters' struggles with empathy and insight. "The Captives" is a compelling exploration of the human psyche, making it essential reading for those interested in early 20th-century literature, psychological drama, and the intricate dance between ambition and entrapment. Walpole'Äôs keen observations and profound thematic richness promise to engage readers who seek both entertainment and deep reflection.

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Autorenporträt
Sir Hugh Seymour Walpole (1884 - 1941) was an English novelist. He was the son of an Anglican clergyman, intended for a career in the church but drawn instead to writing. Among those who encouraged him were the authors Henry James and Arnold Bennett. His skill at scene-setting and vivid plots, as well as his high profile as a lecturer, brought him a large readership in the United Kingdom and North America. He was a best-selling author in the 1920s and 1930s but has been largely neglected since his death. After his first novel, The Wooden Horse, in 1909, Walpole wrote prolifically, producing at least one book every year. He was a spontaneous story-teller, writing quickly to get all his ideas on paper, seldom revising. His first novel to achieve major success was his third, Mr Perrin and Mr Traill, a tragicomic story of a fatal clash between two schoolmasters. During the First World War he served in the Red Cross on the Russian-Austrian front and worked in British propaganda in Petrograd and London. In the 1920s and 1930s Walpole was much in demand not only as a novelist but also as a lecturer on literature, making four exceptionally well-paid tours of North America. Having as a young man eagerly sought the support of established authors, he was in his later years a generous sponsor of many younger writers. He was a patron of the visual arts and bequeathed a substantial legacy of paintings to the Tate Gallery and other British institutions. Walpole's output was large and varied. Between 1909 and 1941 he wrote thirty-six novels, five volumes of short stories, two original plays and three volumes of memoirs. His range included disturbing studies of the macabre, children's stories and historical fiction, most notably his Herries Chronicle series, set in the Lake District. He worked in Hollywood writing scenarios for two Metro-Goldwyn-Mayer films in the 1930s and played a cameo in the 1935 version of David Copperfield.