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  • Format: ePub

A darkly whimsical debut about women daring to live and create with impunity.
Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.
Clara, a celebrity author in desperate need of validation, believes Serene is their mother, while Dempsey, isolated and content to remain so, believes
…mehr

Produktbeschreibung
A darkly whimsical debut about women daring to live and create with impunity.

Twin sisters Clara and Dempsey have always struggled to relate, their familial bond severed after their mother vanished into the Thames. In adulthood, they are content to be all but estranged, until Clara sees a woman who looks exactly like their mother on the streets of London. The catch: this version of Serene, aged not a day, has enjoyed a childless life.

Clara, a celebrity author in desperate need of validation, believes Serene is their mother, while Dempsey, isolated and content to remain so, believes she is a con woman. As they clash over this stranger, the sisters hurtle toward an altercation that threatens their very existence, forcing them to finally confront their pasts--together. In her riveting first foray into fiction, Yrsa Daley-Ward conjures a kaleidoscopic multiverse of daughterhood and mother-want, exploring the sacrifices that Black women must make for self-actualization. The result is a marvel of a debut novel that boldly asks, "How can it ever, ever be a crime to choose yourself?"


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Autorenporträt
Hailing from the northwest of England, Yrsa Daley-Ward is a poet, writer, and actress of mixed Jamaican and Nigerian heritage. She is the author of The How, bone, and The Terrible, her autobiographical novel, for which she won the PEN Ackerley Prize. Yrsa fuses poetry with theatre, music, and storytelling and has been writing for as long as she can remember. She also co-wrote Black Is King, Beyoncé's musical film and visual album. Her popular Substack newsletter 'The Utter' goes out to tens of thousands of subscribers weekly. She splits her time between London, Los Angeles and New York.