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  • Format: ePub

FROM THE CLASSIC SCI-FI WRITER AND AUTHOR OF THE DAY OF THE TRIFFIDS
A disturbing post-nuclear apocalypse story of genetic mutation that explores the lengths the intolerant will go to keep themselves pure.
David Strorm's father doesn't approve of Angus Morton's unusually large horses, calling them blasphemies against nature. Little does he realise that his son, his niece Rosalind and their friends, have their own secret aberration which would label them as mutants.
But as David and Rosalind grow older, it becomes more difficult to conceal their differences from the village elders.
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Produktbeschreibung
FROM THE CLASSIC SCI-FI WRITER AND AUTHOR OF THE DAY OF THE TRIFFIDS

A disturbing post-nuclear apocalypse story of genetic mutation that explores the lengths the intolerant will go to keep themselves pure.

David Strorm's father doesn't approve of Angus Morton's unusually large horses, calling them blasphemies against nature. Little does he realise that his son, his niece Rosalind and their friends, have their own secret aberration which would label them as mutants.

But as David and Rosalind grow older, it becomes more difficult to conceal their differences from the village elders. Soon they face a choice: wait for eventual discovery - or flee to the terrifying and mutable Badlands . . .

'An outstanding success' New York Times

'Perfect timing, astringent humour. . . one of the few authors whose compulsive readability is a compliment to the intelligence' Spectator

'Remains fresh and disturbing in an entirely unexpected way' Guardian


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Autorenporträt
John Wyndham Parkes Lucas Benyon Harris was born in 1903, the son of a barrister. He tried a number of careers including farming, law, commercial art and advertising, and started writing short stories, intended for sale, in 1925. From 1930 to 1939 he wrote short stories of various kinds under different names, almost exclusively for American publications, while also writing detective novels. During the war he was in the Civil Service and then the Army. In 1946 he went back to writing stories for publication in the USA and decided to try a modified form of science fiction, a form he called 'logical fantasy'. As John Wyndham he wrote The Day of the Triffids, The Kraken Wakes, The Chrysalids, The Midwich Cuckoos (filmed as Village of the Damned), The Seeds of Time, Trouble with Lichen, The Outward Urge, Consider Her Ways and Others, Web and Chocky. John Wyndham died in March 1969.
Rezensionen
Perfect timing, astringent humour . . . One of the few authors whose compulsive readability is a compliment to the intelligence Spectator
John Wyndham s The Chrysalids anticipates and surpasses many of today s dystopian thrillers . . . The Chrysalids explores intolerance and bigotry with satisfying complexity as it races toward an ending that is truly unpredictable.
The Seattle Times

One of the most thoughtful post-apocalypse novels ever written. Wyndham was a true English visionary, a William Blake with a science doctorate.
David Mitchell

A remarkably tender story of a post-nuclear childhood . . . It has, of course, always seemed a classic to most of its three generations of readers . . . It has become part of a canon of good books.
The Guardian

It is quite simply a page-turner, maintaining suspense to the very end and vividly conjuring the circumstances of a crippled and menacing world, and of the fear and sense of betrayal that pervade it. The ending, a salvation of an extremely dubious sort, leaves the reader pondering how truly ephemeral our version of civilization is . . .
Boston Globe

[Wyndham] was responsible for a series of eerily terrifying tales of destroyed civilisations; created several of the twentieth century's most imaginative monsters; and wrote a handful of novels that are rightly regarded as modern classics.
The Observer (London)

Science fiction always tells you more about the present than the future. John Wyndham's classroom favourite might be set in some desolate landscape still to come, but it is rooted in the concerns of the mid-1950s. Published in 1955, it's a novel driven by the twin anxieties of the cold war and the atomic bomb . . . Fifty years on, when our enemy has changed and our fear of nuclear catastrophe has subsided, his analysis of our tribal instinct is as pertinent as ever.
The Guardian (London)

Sometimes you just need a bit of soft-core sci-fi, and Wyndham s 1950 s classic, newly back in print, fully delivers.
Thicket Magazine

[A]bsolutely and completely brilliant . . . The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.
The Ottawa Citizen

John Wyndham's novel . . . is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference in this case, of genetic mutations in the aftermath of nuclear war finds its echoes in every society.
The Scotsman

The Chrysalids comes heart-wrenchingly close to being John Wyndham's most powerful and profound work.
SFReview.net
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