A significant contribution to the literature on film-philosophy, this original and stimulating collection of interdisciplinary essays explores the idea of the cinematic sublime by bringing together film studies and aesthetics to examine cinema and cinematic experience.
This book views the idea of 'the sublime' in cinema from a variety of perspectives; the essays range in focus from early cinema, through classical Hollywood, documentary, avant-garde and art cinema traditions, and on to contemporary digital cinema.
Offers new and exciting insights into how cinema engages with traditional historical and aesthetic discourse. This wide-ranging and coherent volume is a useful resource for both post-graduate students and established scholars interested in the interrelations between film and philosophy.
This book views the idea of 'the sublime' in cinema from a variety of perspectives; the essays range in focus from early cinema, through classical Hollywood, documentary, avant-garde and art cinema traditions, and on to contemporary digital cinema.
Offers new and exciting insights into how cinema engages with traditional historical and aesthetic discourse. This wide-ranging and coherent volume is a useful resource for both post-graduate students and established scholars interested in the interrelations between film and philosophy.
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