Her poems are fascinated by the freedom of motion and its constraints: how by means of technique they defy the gravity that draws them down the page to a conclusion. They subvert what they see and, as language, they also subvert how they see: we are always seeing but with all our senses, including our ears and our semantic facilities, our echo detector, how the poems relate to one another and how they relate to the worlds of art and invention in different modes and ages.
Poleg regularly collaborates with fellow artists and poets - her graphic-novel installation, Dear Penelope: Variations on an August Morning, created with artist Laura Gressani, was acquired by the Scottish National Gallery of Modern Art in 2014.
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