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Illuminates how the city has shaped contemporary artistic practice in Southeast Asia
In The City in Time , Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually postwar. Focusing on art from the last two decades, Corey connects artistic developments with social transformations as reflected through the urban landscapes of Ho Chi Minh City and Phnom Penh. As she argues, artists' engagements with urban space and form reveal ways of grasping multiple and layered senses and concepts of…mehr

Produktbeschreibung
Illuminates how the city has shaped contemporary artistic practice in Southeast Asia

In The City in Time, Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually postwar. Focusing on art from the last two decades, Corey connects artistic developments with social transformations as reflected through the urban landscapes of Ho Chi Minh City and Phnom Penh. As she argues, artists' engagements with urban space and form reveal ways of grasping multiple and layered senses and concepts of time, whether aligned with colonialism, postcolonial modernity, communism, or postsocialism.

The City in Time traces the process through which collective memory and aspiration are mapped onto landscape and built space to shed light on how these vibrant Southeast Asian cities shape artistic practices as the art simultaneously consolidates the city as image and imaginary. Featuring a dynamic array of creative productions that include staged and documentary photography, the moving image, and public performance and installation, The City in Time illustrates how artists from Vietnam and Cambodia have envisioned their rapidly changing worlds.


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Autorenporträt
Pamela Corey is a faculty member in arts at Fullbright University Vietnam. She previously served as lecturer in the Department of Art History and Archaeology at SOAS University of London and earned her PhD in art history at Cornell University. This is her first book.